Jules Michelet : : Writing Art and History in Nineteenth-Century France / / Michèle Hannoosh.
Jules Michelet, one of France's most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet's work and shows how...
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Superior document: | Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2019 |
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Place / Publishing House: | University Park, PA : : Penn State University Press, , [2021] ©2019 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (248 p.) :; 31 illustrations |
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100 | 1 | |a Hannoosh, Michèle, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Jules Michelet : |b Writing Art and History in Nineteenth-Century France / |c Michèle Hannoosh. |
264 | 1 | |a University Park, PA : |b Penn State University Press, |c [2021] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (248 p.) : |b 31 illustrations | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t List of Abbreviations -- |t Introduction -- |t 1 Art and the Writing of History -- |t 2 The Gothic Drama of the Middle Ages: Reims and Strasbourg Cathedrals -- |t 3 The Unfinished Renaissance: Van Eyck, Rubens, Dürer -- |t 4 Civil War in the Century of Woman: Fontainebleau, Goujon, Pilon -- |t 5 Nation and the People: Géricault -- |t Conclusion. The Artist as Historian: Rembrandt -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Jules Michelet, one of France's most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet's work and shows how it decisively influenced his theory of history and his view of the practice of the historian.The visual arts were at the very center of Michelet's conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later.This groundbreaking reevaluation of Michelet's approach to history elucidates how writing about art provided a model for the historian's relation to, and interpretation of, the past, and thus for a new type of historiography-one that acknowledges and enacts the historian's own implication in the history he or she tells. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
650 | 7 | |a LITERARY CRITICISM / Modern / 19th Century . |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Penn State University Press Complete eBook-Package 2019 |z 9783110745207 |
856 | 4 | 0 | |u https://doi.org/10.1515/9780271085326?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780271085326 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9780271085326.jpg |
912 | |a 978-3-11-074520-7 Penn State University Press Complete eBook-Package 2019 |b 2019 | ||
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