Jules Michelet : : Writing Art and History in Nineteenth-Century France / / Michèle Hannoosh.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2019
• VerfasserIn: Hannoosh, Michèle,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2021]; ©2019
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (248 p.) :; 31 illustrations
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; List of Abbreviations --; Introduction --; 1 Art and the Writing of History --; 2 The Gothic Drama of the Middle Ages: Reims and Strasbourg Cathedrals --; 3 The Unfinished Renaissance: Van Eyck, Rubens, Dürer --; 4 Civil War in the Century of Woman: Fontainebleau, Goujon, Pilon --; 5 Nation and the People: Géricault --; Conclusion. The Artist as Historian: Rembrandt --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271085326; 9783110745207
• DOI: 10.1515/9780271085326?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Michèle Hannoosh.

Jules Michelet, one of France's most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet's work and shows how it decisively influenced his theory of history and his view of the practice of the historian.The visual arts were at the very center of Michelet's conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later.This groundbreaking reevaluation of Michelet's approach to history elucidates how writing about art provided a model for the historian's relation to, and interpretation of, the past, and thus for a new type of historiography-one that acknowledges and enacts the historian's own implication in the history he or she tells.