Medieval Art in Motion : : The Inventory and Gift Giving of Queen Clémence de Hongrie / / Mariah Proctor-Tiffany.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2019
• VerfasserIn: Proctor-Tiffany, Mariah,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2021]; ©2019
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (232 p.) :; 28 color/30 b&w illustrations/5 maps
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; A Note on Terminology and Nomenclature --; Introduction --; 1 The Life, Times, and Art of an International Queen --; 2 Systems of Exchange: Moving Art and Material Culture --; 3 The Body, the Altar, and the Table: Possessions and Sites of Identity Proclamation --; 4 The Queen's Manuscripts and Identity --; 5 Gift Giving in the Gothic World --; 6 The Queen and Ritual Gift Giving --; 7 Gifts to Individuals, Near and Far --; Conclusion: Good and Glorious Exchange --; Appendix 1 The Testament of Clémence de Hongrie --; Appendix 2 The Inventory of Clémence de Hongrie --; Appendix 3 Glossary --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271083056; 9783110745207
• DOI: 10.1515/9780271083056?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Mariah Proctor-Tiffany.

In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris.After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry-the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen's collection, maps the geographic trajectories of her gifts of art, and interprets Clémence's generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women's studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany's meticulous research.