Canadian Music of the Twentieth Century / / George Proctor.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
• VerfasserIn: Proctor, George,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2019]; ©1980
• Year of Publication: 2019
• Language: English
• Series: Heritage
• Physical Description: 1 online resource (324 p.)
• Other title: Frontmatter --; Contents --; Preface --; Acknowledgments --; Abbreviations --; CHAPTER ONE. 1900 to 1920 The Colonial Period --; CHAPTER TWO. 1921 to 1940 Early Nationalism --; CHAPTER THREE. 1941 to 1951 A New Beginning --; CHAPTER FOUR. The 1950s Neoclassicism at Its Height --; CHAPTER FIVE. The 1960s The New Romanticism --; CHAPTER SIX. 1967 Centennial Celebrations --; CHAPTER SEVEN. 1968 to 1978 Recent Trends --; Notes --; Appendix: A Chronological Table of Canadian History, Music, and Other Arts 1900 to 1979 --; Selective Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781487579319; 9783110490947
• DOI: 10.3138/9781487579319
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: George Proctor.

Canadian music has come of age in the twentieth century. The number of composers of serious music has grown remarkably, particularly in the last thirty-five years, and Canadian compositions are now performed worldwide. Yet listeners are not always familiar with the names or the music of composers such as Barbara Pentland, Claude Champagne, Serge Garant, and Harry Somers, in part because commentaries are rare and recordings and sources are often difficult to find. This book discusses, in historical sequence, selected works of approximately 125 representative composers, combining detailed descriptions of their works with valuable summaries of stylistic trends. Canadian musical activity is studied in relation to developments in the music of the Western world. In addition, influences from jazz, folk, and popular music, are identified, and there is a welcome attempt to integrate musical developments with those in literature, painting, and the arts in general. This book is the first practical guide to Canadian classical music of the twentieth century; it includes extensive lists of scores and recordings, arranged chronologically by performance medium. It is the best available introduction to modern Canadian music -- a book every listener will want to own.