Poetic Remaking : : The Art of Browning, Yeats, and Pound / / George Bornstein.
This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the Modern, but also looks more briefly at works by Wordswor...
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| Superior document: | Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014 |
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| Place / Publishing House: | University Park, PA : : Penn State University Press, , [2021] ©1988 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (176 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- 1. Introduction: Four Gaps in Postromantic Influence Study
- Part One. Remaking Poetry
- 2. The Arrangement of Browning's Dramatic Lyrics (1842)
- 3. The Structure of Browning's "Pictor Ignotus"
- 4. Solomon's Architectonics: The Greater Victorian Lyric
- 5. Yeats and the Greater Romantic Lyric
- Part Two. Remaking Poets
- 6. Yeats's Romantic Dante
- 7. The Making of Yeats's Spenser
- 8. Last Romantic or Last Victorian: Yeats, Tennyson, and Browning
- 9. Pound's Parleyings with Browning
- Notes
- Index