Poetic Remaking : : The Art of Browning, Yeats, and Pound / / George Bornstein.
This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the Modern, but also looks more briefly at works by Wordswor...
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Place / Publishing House: | University Park, PA : : Penn State University Press, , [2021] ©1988 |
Year of Publication: | 2021 |
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Bornstein, George, author. aut http://id.loc.gov/vocabulary/relators/aut Poetic Remaking : The Art of Browning, Yeats, and Pound / George Bornstein. University Park, PA : Penn State University Press, [2021] ©1988 1 online resource (176 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- 1. Introduction: Four Gaps in Postromantic Influence Study -- Part One. Remaking Poetry -- 2. The Arrangement of Browning's Dramatic Lyrics (1842) -- 3. The Structure of Browning's "Pictor Ignotus" -- 4. Solomon's Architectonics: The Greater Victorian Lyric -- 5. Yeats and the Greater Romantic Lyric -- Part Two. Remaking Poets -- 6. Yeats's Romantic Dante -- 7. The Making of Yeats's Spenser -- 8. Last Romantic or Last Victorian: Yeats, Tennyson, and Browning -- 9. Pound's Parleyings with Browning -- Notes -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the Modern, but also looks more briefly at works by Wordsworth, Coleridge, Keats, Shelley, Arnold, Tennyson, and Eliot. The introductory manifesto, ";Four Gaps in Postromantic Influence Study,"; posits four new orientations for such work: taking the volume (rather than the individual poem) as a unit; stressing more centrally the Victorian mediation between Romantic and Modern; allowing for national differences among English, Irish, and American traditions; and basing influence studies as much on manuscript materials as on finished products. Each of the following chapters follows one or more of those orientations.The initial four chapters, ";Remaking Poetry,"; focus on readings of specific poetic texts. The first treats Browning's first major volume as a unit; the second reads his dramatic monologue ";Pictor Ignotus"; against Romantic acts of mind; the third maps distinctively Victorian variations in the major form known as Greater Romantic Lyric; and the fourth explores Yeats's mature revision of that form. The second group of four chapters, ";Remaking Poets,"; stresses the dynamics of literary influence by which poets turn their forerunners into figures helpful to their own development. The first three examine Yeats's encounter with Dante, Spenser, Browning, and Tennyson, respectively; the fourth treats Pound's remaking of the poet he called his poetic ";father,"; Browning, in a way that suggests the limits of anxiety models of poetic influence.For this volume Professor Bornstein has revised and expanded a select group of his recent essays and added a new one, on the Greater Victorian Lyric. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) English poetry 19th century History and criticism. Influence (Literary, artistic, etc.) History 19th century. Influence (Literary, artistic, etc.) History 20th century. Poetics History 19th century. Poetics History 20th century. POETRY / European / English, Irish, Scottish, Welsh. bisacsh Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014 9783110745269 https://doi.org/10.1515/9780271071510?locatt=mode:legacy https://www.degruyter.com/isbn/9780271071510 Cover https://www.degruyter.com/cover/covers/9780271071510.jpg |
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English |
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author |
Bornstein, George, Bornstein, George, |
spellingShingle |
Bornstein, George, Bornstein, George, Poetic Remaking : The Art of Browning, Yeats, and Pound / Frontmatter -- Contents -- Preface -- 1. Introduction: Four Gaps in Postromantic Influence Study -- Part One. Remaking Poetry -- 2. The Arrangement of Browning's Dramatic Lyrics (1842) -- 3. The Structure of Browning's "Pictor Ignotus" -- 4. Solomon's Architectonics: The Greater Victorian Lyric -- 5. Yeats and the Greater Romantic Lyric -- Part Two. Remaking Poets -- 6. Yeats's Romantic Dante -- 7. The Making of Yeats's Spenser -- 8. Last Romantic or Last Victorian: Yeats, Tennyson, and Browning -- 9. Pound's Parleyings with Browning -- Notes -- Index |
author_facet |
Bornstein, George, Bornstein, George, |
author_variant |
g b gb g b gb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Bornstein, George, |
title |
Poetic Remaking : The Art of Browning, Yeats, and Pound / |
title_sub |
The Art of Browning, Yeats, and Pound / |
title_full |
Poetic Remaking : The Art of Browning, Yeats, and Pound / George Bornstein. |
title_fullStr |
Poetic Remaking : The Art of Browning, Yeats, and Pound / George Bornstein. |
title_full_unstemmed |
Poetic Remaking : The Art of Browning, Yeats, and Pound / George Bornstein. |
title_auth |
Poetic Remaking : The Art of Browning, Yeats, and Pound / |
title_alt |
Frontmatter -- Contents -- Preface -- 1. Introduction: Four Gaps in Postromantic Influence Study -- Part One. Remaking Poetry -- 2. The Arrangement of Browning's Dramatic Lyrics (1842) -- 3. The Structure of Browning's "Pictor Ignotus" -- 4. Solomon's Architectonics: The Greater Victorian Lyric -- 5. Yeats and the Greater Romantic Lyric -- Part Two. Remaking Poets -- 6. Yeats's Romantic Dante -- 7. The Making of Yeats's Spenser -- 8. Last Romantic or Last Victorian: Yeats, Tennyson, and Browning -- 9. Pound's Parleyings with Browning -- Notes -- Index |
title_new |
Poetic Remaking : |
title_sort |
poetic remaking : the art of browning, yeats, and pound / |
publisher |
Penn State University Press, |
publishDate |
2021 |
physical |
1 online resource (176 p.) |
contents |
Frontmatter -- Contents -- Preface -- 1. Introduction: Four Gaps in Postromantic Influence Study -- Part One. Remaking Poetry -- 2. The Arrangement of Browning's Dramatic Lyrics (1842) -- 3. The Structure of Browning's "Pictor Ignotus" -- 4. Solomon's Architectonics: The Greater Victorian Lyric -- 5. Yeats and the Greater Romantic Lyric -- Part Two. Remaking Poets -- 6. Yeats's Romantic Dante -- 7. The Making of Yeats's Spenser -- 8. Last Romantic or Last Victorian: Yeats, Tennyson, and Browning -- 9. Pound's Parleyings with Browning -- Notes -- Index |
isbn |
9780271071510 9783110745269 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR591 |
callnumber-sort |
PR 3591 B58 41988EB |
era_facet |
19th century 19th century. 20th century. |
url |
https://doi.org/10.1515/9780271071510?locatt=mode:legacy https://www.degruyter.com/isbn/9780271071510 https://www.degruyter.com/cover/covers/9780271071510.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
821 - English poetry |
dewey-full |
821/.8/09 |
dewey-sort |
3821 18 19 |
dewey-raw |
821/.8/09 |
dewey-search |
821/.8/09 |
doi_str_mv |
10.1515/9780271071510?locatt=mode:legacy |
work_keys_str_mv |
AT bornsteingeorge poeticremakingtheartofbrowningyeatsandpound |
status_str |
n |
ids_txt_mv |
(DE-B1597)584012 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014 |
is_hierarchy_title |
Poetic Remaking : The Art of Browning, Yeats, and Pound / |
container_title |
Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014 |
_version_ |
1806143115293097984 |
fullrecord |
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