The Self-Conscious Stage in Modern French Drama / / David I. Grossvogel.

Studies the implications of laughter of the French Dramatic stage from the ridiculous to the absurd and the pain of laughter.

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Superior document:Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub)
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Place / Publishing House:New York, NY : : Columbia University Press, , [1958]
©1958
Year of Publication:1958
Language:English
Online Access:
Physical Description:1 online resource
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100 1 |a Grossvogel, David I.,   |e author. 
245 1 4 |a The Self-Conscious Stage in Modern French Drama /  |c David I. Grossvogel. 
264 1 |a New York, NY :   |b Columbia University Press,   |c [1958] 
264 4 |c ©1958 
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505 0 0 |t Frontmatter --   |t Acknowledgments --   |t Contents --   |t Some Implications of Laughter --   |t I. Intellectual Self-Consciousness: From the Ridiculous to the Great Absurd --   |t 1. Les Enfants Terribles: Jarry, Apollinaire, Cocteau --   |t 2. Perils of Debate: Giraudoux --   |t 3. Further Perils of Debate: Claudel, Sartre --   |t 4. Commercialism Reconsidered: Anouilh --   |t II. The Pain of Laughter --   |t 5. The Belgian Current --   |t 6. Crommelynck --   |t 7. Ghelderode --   |t III. Tomorrow ? --   |t 8. Ionesco, Adamov, Beckett --   |t Bibliography --   |t Index 
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520 |a Studies the implications of laughter of the French Dramatic stage from the ridiculous to the absurd and the pain of laughter. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) 
650 7 |a LITERARY CRITICISM / European / French.  |2 bisacsh 
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