The Self-Conscious Stage in Modern French Drama / / David I. Grossvogel.
Studies the implications of laughter of the French Dramatic stage from the ridiculous to the absurd and the pain of laughter.
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| Superior document: | Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub) |
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| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [1958] ©1958 |
| Year of Publication: | 1958 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
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| Other title: | Frontmatter -- Acknowledgments -- Contents -- Some Implications of Laughter -- I. Intellectual Self-Consciousness: From the Ridiculous to the Great Absurd -- 1. Les Enfants Terribles: Jarry, Apollinaire, Cocteau -- 2. Perils of Debate: Giraudoux -- 3. Further Perils of Debate: Claudel, Sartre -- 4. Commercialism Reconsidered: Anouilh -- II. The Pain of Laughter -- 5. The Belgian Current -- 6. Crommelynck -- 7. Ghelderode -- III. Tomorrow ? -- 8. Ionesco, Adamov, Beckett -- Bibliography -- Index |
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| Summary: | Studies the implications of laughter of the French Dramatic stage from the ridiculous to the absurd and the pain of laughter. |
| Format: | Mode of access: Internet via World Wide Web. |
| ISBN: | 9780231897303 9783110442489 |
| DOI: | 10.7312/gros94162 |
| Access: | restricted access |
| Hierarchical level: | Monograph |
| Statement of Responsibility: | David I. Grossvogel. |