Color and Light in Painting / / Roland Rood; ed. by George L. Stout.
Explores the experience of vision, what the eye is able to see, and how to represent what one sees in painting through the use of values, production of color by addition and subtraction, induction, and contrast.
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 |
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| HerausgeberIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [1941] ©1941 |
| Year of Publication: | 1941 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (302 p.) |
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Table of Contents:
- Frontmatter
- Introduction
- Contents
- I. A Theory of Beauty
- II. Sensation
- III. Arbitrary Values
- IV. Shadows and Inhibited Values
- V. Production of Color by Addition
- VI. Broken Color and Luster
- VII. Production of Color by Subtraction
- VIII. Local Color and Shadow Color
- IX. Color Constants – Induction and Contrast
- X. Attention and Drawing
- XI. Attention, Theoretical and Practical
- Index