Color and Light in Painting / / Roland Rood; ed. by George L. Stout.

Explores the experience of vision, what the eye is able to see, and how to represent what one sees in painting through the use of values, production of color by addition and subtraction, induction, and contrast.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999
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Place / Publishing House:New York, NY : : Columbia University Press, , [1941]
©1941
Year of Publication:1941
Language:English
Online Access:
Physical Description:1 online resource (302 p.)
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Description
Other title:Frontmatter --
Introduction --
Contents --
I. A Theory of Beauty --
II. Sensation --
III. Arbitrary Values --
IV. Shadows and Inhibited Values --
V. Production of Color by Addition --
VI. Broken Color and Luster --
VII. Production of Color by Subtraction --
VIII. Local Color and Shadow Color --
IX. Color Constants – Induction and Contrast --
X. Attention and Drawing --
XI. Attention, Theoretical and Practical --
Index
Summary:Explores the experience of vision, what the eye is able to see, and how to represent what one sees in painting through the use of values, production of color by addition and subtraction, induction, and contrast.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780231879989
9783110442489
DOI:10.7312/rood90686
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Roland Rood; ed. by George L. Stout.