On Becoming a Rock Musician / / H. Stith Bennett.
In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 |
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Legacy Editions
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| Online Access: | |
| Physical Description: | 1 online resource (320 p.) |
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9780231544405 |
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2016956459 |
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(DE-B1597)481907 (OCoLC)984686768 |
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bib_alma |
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Bennett, H. Stith, author. aut http://id.loc.gov/vocabulary/relators/aut On Becoming a Rock Musician / H. Stith Bennett. New York, NY : Columbia University Press, [2017] ©2017 1 online resource (320 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Legacy Editions Frontmatter -- Contents -- Foreword to the Legacy Edition -- Preface -- A Guide for the Reader -- Acknowledgments -- Part I. Group Dynamics -- 1. Introduction -- 2. Group Definition and Redefinition -- 2. Group Definition and Redefinition -- Part II. Rock Ecology -- 3. Instruments and "the Outside World" -- 4. Equipment and the Band Van -- 5. Gigs -- Part III. Mastering the Technological Component -- 6. Technology and The Music -- 7. The Realities of Practice -- Part IV. Performance: Aesthetics and the Technological Imperative -- 8. Playing -- 9. "Other People's Music" -- Afterword -- Appendix -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Music Social aspects. Rock musicians Social life and customs. Rock musicians. SOCIAL SCIENCE / Popular Culture. bisacsh Becker, Howard S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Becker, Howard. Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 9783110543308 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017 9783110540550 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE ENGLISH 2017 9783110625264 Title is part of eBook package: De Gruyter EBOOK PACKAGE Social Sciences 2017 9783110548242 ZDB-23-DSW print 9780231182843 https://doi.org/10.7312/benn18284 https://www.degruyter.com/isbn/9780231544405 Cover https://www.degruyter.com/document/cover/isbn/9780231544405/original |
| language |
English |
| format |
eBook |
| author |
Bennett, H. Stith, Bennett, H. Stith, |
| spellingShingle |
Bennett, H. Stith, Bennett, H. Stith, On Becoming a Rock Musician / Legacy Editions Frontmatter -- Contents -- Foreword to the Legacy Edition -- Preface -- A Guide for the Reader -- Acknowledgments -- Part I. Group Dynamics -- 1. Introduction -- 2. Group Definition and Redefinition -- Part II. Rock Ecology -- 3. Instruments and "the Outside World" -- 4. Equipment and the Band Van -- 5. Gigs -- Part III. Mastering the Technological Component -- 6. Technology and The Music -- 7. The Realities of Practice -- Part IV. Performance: Aesthetics and the Technological Imperative -- 8. Playing -- 9. "Other People's Music" -- Afterword -- Appendix -- Notes -- Bibliography -- Index |
| author_facet |
Bennett, H. Stith, Bennett, H. Stith, Becker, Howard S., Becker, Howard S., Becker, Howard. |
| author_variant |
h s b hs hsb h s b hs hsb |
| author_role |
VerfasserIn VerfasserIn |
| author2 |
Becker, Howard S., Becker, Howard S., Becker, Howard. |
| author2_variant |
h s b hs hsb h s b hs hsb h b hb |
| author2_role |
MitwirkendeR MitwirkendeR TeilnehmendeR |
| author_sort |
Bennett, H. Stith, |
| title |
On Becoming a Rock Musician / |
| title_full |
On Becoming a Rock Musician / H. Stith Bennett. |
| title_fullStr |
On Becoming a Rock Musician / H. Stith Bennett. |
| title_full_unstemmed |
On Becoming a Rock Musician / H. Stith Bennett. |
| title_auth |
On Becoming a Rock Musician / |
| title_alt |
Frontmatter -- Contents -- Foreword to the Legacy Edition -- Preface -- A Guide for the Reader -- Acknowledgments -- Part I. Group Dynamics -- 1. Introduction -- 2. Group Definition and Redefinition -- Part II. Rock Ecology -- 3. Instruments and "the Outside World" -- 4. Equipment and the Band Van -- 5. Gigs -- Part III. Mastering the Technological Component -- 6. Technology and The Music -- 7. The Realities of Practice -- Part IV. Performance: Aesthetics and the Technological Imperative -- 8. Playing -- 9. "Other People's Music" -- Afterword -- Appendix -- Notes -- Bibliography -- Index |
| title_new |
On Becoming a Rock Musician / |
| title_sort |
on becoming a rock musician / |
| series |
Legacy Editions |
| series2 |
Legacy Editions |
| publisher |
Columbia University Press, |
| publishDate |
2017 |
| physical |
1 online resource (320 p.) Issued also in print. |
| contents |
Frontmatter -- Contents -- Foreword to the Legacy Edition -- Preface -- A Guide for the Reader -- Acknowledgments -- Part I. Group Dynamics -- 1. Introduction -- 2. Group Definition and Redefinition -- Part II. Rock Ecology -- 3. Instruments and "the Outside World" -- 4. Equipment and the Band Van -- 5. Gigs -- Part III. Mastering the Technological Component -- 6. Technology and The Music -- 7. The Realities of Practice -- Part IV. Performance: Aesthetics and the Technological Imperative -- 8. Playing -- 9. "Other People's Music" -- Afterword -- Appendix -- Notes -- Bibliography -- Index |
| isbn |
9780231544405 9783110543308 9783110540550 9783110625264 9783110548242 9780231182843 |
| callnumber-first |
M - Music |
| callnumber-subject |
ML - Literature on Music |
| callnumber-label |
ML3534 |
| callnumber-sort |
ML 43534 B46 42017 |
| url |
https://doi.org/10.7312/benn18284 https://www.degruyter.com/isbn/9780231544405 https://www.degruyter.com/document/cover/isbn/9780231544405/original |
| illustrated |
Not Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
780 - Music |
| dewey-ones |
781 - General principles & musical forms |
| dewey-full |
781.66 |
| dewey-sort |
3781.66 |
| dewey-raw |
781.66 |
| dewey-search |
781.66 |
| doi_str_mv |
10.7312/benn18284 |
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984686768 |
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