On Becoming a Rock Musician / / H. Stith Bennett.
In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 |
|---|---|
| VerfasserIn: | |
| MitwirkendeR: | |
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Legacy Editions
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| Online Access: | |
| Physical Description: | 1 online resource (320 p.) |
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| 100 | 1 | |a Bennett, H. Stith, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a On Becoming a Rock Musician / |c H. Stith Bennett. |
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (320 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Foreword to the Legacy Edition -- |t Preface -- |t A Guide for the Reader -- |t Acknowledgments -- |t Part I. Group Dynamics -- |t 1. Introduction -- |t 2. Group Definition and Redefinition -- |t 2. Group Definition and Redefinition -- |t Part II. Rock Ecology -- |t 3. Instruments and "the Outside World" -- |t 4. Equipment and the Band Van -- |t 5. Gigs -- |t Part III. Mastering the Technological Component -- |t 6. Technology and The Music -- |t 7. The Realities of Practice -- |t Part IV. Performance: Aesthetics and the Technological Imperative -- |t 8. Playing -- |t 9. "Other People's Music" -- |t Afterword -- |t Appendix -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 0 | |a Rock musicians |x Social life and customs. | |
| 650 | 0 | |a Rock musicians. | |
| 650 | 7 | |a SOCIAL SCIENCE / Popular Culture. |2 bisacsh | |
| 700 | 1 | |a Becker, Howard S., |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Becker, Howard. | |
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