Impersonal Enunciation, or the Place of Film /

Impersonal Enunciation, or the Place of Film / / Christian Metz.

Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how fi...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016
VerfasserIn:
Metz, Christian,
MitwirkendeR:
Deane, Cormac,
Polan, Dana,
TeilnehmendeR:
Deane, Cormac.
Polan, Dana.
Place / Publishing House:New York, NY : : Columbia University Press, , [2016]
©2016
Year of Publication:2016
Language:English
Series:Film and Culture Series
Online Access:
Physical Description:1 online resource (280 p.)
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • Acknowledgments
  • Translator's Introduction
  • BIBLIOGRAPHY
  • 1. Humanoid Enunciation
  • 2. The Voice of Address in the Image: The Look to Camera
  • 3. The Voice of Address Outside the Image: Related Sounds
  • 4. Written Modes of Address
  • 5. Secondary Screens, or Squaring the Rectangle
  • 6. Mirrors
  • 7. "Exposing the Apparatus"
  • 8. Film(s) Within Film
  • 9. Subjective Images, Subjective Sounds, "Point of View"
  • 10. The I-voice and Related Sounds
  • 11. The Oriented Objective System: Enunciation and Style
  • 12. "Neutral" (?) Images and Sounds
  • 13. (Taking Theoretical Flight)
  • Afterword
  • Notes
  • On the Shelf: Works Cited
  • Index

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