Impersonal Enunciation, or the Place of Film / / Christian Metz.
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how fi...
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Series: | Film and Culture Series
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Metz, Christian, author. aut http://id.loc.gov/vocabulary/relators/aut Impersonal Enunciation, or the Place of Film / Christian Metz. New York, NY : Columbia University Press, [2016] ©2016 1 online resource (280 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film and Culture Series Frontmatter -- CONTENTS -- Acknowledgments -- Translator's Introduction -- BIBLIOGRAPHY -- 1. Humanoid Enunciation -- 2. The Voice of Address in the Image: The Look to Camera -- 3. The Voice of Address Outside the Image: Related Sounds -- 4. Written Modes of Address -- 5. Secondary Screens, or Squaring the Rectangle -- 6. Mirrors -- 7. "Exposing the Apparatus" -- 8. Film(s) Within Film -- 9. Subjective Images, Subjective Sounds, "Point of View" -- 10. The I-voice and Related Sounds -- 11. The Oriented Objective System: Enunciation and Style -- 12. "Neutral" (?) Images and Sounds -- 13. (Taking Theoretical Flight) -- Afterword -- Notes -- On the Shelf: Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion pictures History. Narration (Rhetoric) Narration (Rhetoric). ART / Film & Video. bisacsh Deane, Cormac, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Deane, Cormac. Polan, Dana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Polan, Dana. Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 9783110638578 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2016 9783110485165 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 9783110485103 ZDB-23-DGG print 9780231173667 https://doi.org/10.7312/metz17366 https://www.degruyter.com/isbn/9780231540643 Cover https://www.degruyter.com/document/cover/isbn/9780231540643/original |
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English |
format |
eBook |
author |
Metz, Christian, Metz, Christian, |
spellingShingle |
Metz, Christian, Metz, Christian, Impersonal Enunciation, or the Place of Film / Film and Culture Series Frontmatter -- CONTENTS -- Acknowledgments -- Translator's Introduction -- BIBLIOGRAPHY -- 1. Humanoid Enunciation -- 2. The Voice of Address in the Image: The Look to Camera -- 3. The Voice of Address Outside the Image: Related Sounds -- 4. Written Modes of Address -- 5. Secondary Screens, or Squaring the Rectangle -- 6. Mirrors -- 7. "Exposing the Apparatus" -- 8. Film(s) Within Film -- 9. Subjective Images, Subjective Sounds, "Point of View" -- 10. The I-voice and Related Sounds -- 11. The Oriented Objective System: Enunciation and Style -- 12. "Neutral" (?) Images and Sounds -- 13. (Taking Theoretical Flight) -- Afterword -- Notes -- On the Shelf: Works Cited -- Index |
author_facet |
Metz, Christian, Metz, Christian, Deane, Cormac, Deane, Cormac, Deane, Cormac. Polan, Dana, Polan, Dana, Polan, Dana. |
author_variant |
c m cm c m cm |
author_role |
VerfasserIn VerfasserIn |
author2 |
Deane, Cormac, Deane, Cormac, Deane, Cormac. Polan, Dana, Polan, Dana, Polan, Dana. |
author2_variant |
c d cd c d cd c d cd d p dp d p dp d p dp |
author2_role |
MitwirkendeR MitwirkendeR TeilnehmendeR MitwirkendeR MitwirkendeR TeilnehmendeR |
author_sort |
Metz, Christian, |
title |
Impersonal Enunciation, or the Place of Film / |
title_full |
Impersonal Enunciation, or the Place of Film / Christian Metz. |
title_fullStr |
Impersonal Enunciation, or the Place of Film / Christian Metz. |
title_full_unstemmed |
Impersonal Enunciation, or the Place of Film / Christian Metz. |
title_auth |
Impersonal Enunciation, or the Place of Film / |
title_alt |
Frontmatter -- CONTENTS -- Acknowledgments -- Translator's Introduction -- BIBLIOGRAPHY -- 1. Humanoid Enunciation -- 2. The Voice of Address in the Image: The Look to Camera -- 3. The Voice of Address Outside the Image: Related Sounds -- 4. Written Modes of Address -- 5. Secondary Screens, or Squaring the Rectangle -- 6. Mirrors -- 7. "Exposing the Apparatus" -- 8. Film(s) Within Film -- 9. Subjective Images, Subjective Sounds, "Point of View" -- 10. The I-voice and Related Sounds -- 11. The Oriented Objective System: Enunciation and Style -- 12. "Neutral" (?) Images and Sounds -- 13. (Taking Theoretical Flight) -- Afterword -- Notes -- On the Shelf: Works Cited -- Index |
title_new |
Impersonal Enunciation, or the Place of Film / |
title_sort |
impersonal enunciation, or the place of film / |
series |
Film and Culture Series |
series2 |
Film and Culture Series |
publisher |
Columbia University Press, |
publishDate |
2016 |
physical |
1 online resource (280 p.) Issued also in print. |
contents |
Frontmatter -- CONTENTS -- Acknowledgments -- Translator's Introduction -- BIBLIOGRAPHY -- 1. Humanoid Enunciation -- 2. The Voice of Address in the Image: The Look to Camera -- 3. The Voice of Address Outside the Image: Related Sounds -- 4. Written Modes of Address -- 5. Secondary Screens, or Squaring the Rectangle -- 6. Mirrors -- 7. "Exposing the Apparatus" -- 8. Film(s) Within Film -- 9. Subjective Images, Subjective Sounds, "Point of View" -- 10. The I-voice and Related Sounds -- 11. The Oriented Objective System: Enunciation and Style -- 12. "Neutral" (?) Images and Sounds -- 13. (Taking Theoretical Flight) -- Afterword -- Notes -- On the Shelf: Works Cited -- Index |
isbn |
9780231540643 9783110638578 9783110485165 9783110485103 9780231173667 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995 M44813 42016 |
url |
https://doi.org/10.7312/metz17366 https://www.degruyter.com/isbn/9780231540643 https://www.degruyter.com/document/cover/isbn/9780231540643/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4301 |
dewey-sort |
3791.4301 |
dewey-raw |
791.4301 |
dewey-search |
791.4301 |
doi_str_mv |
10.7312/metz17366 |
oclc_num |
940679988 |
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AT metzchristian impersonalenunciationortheplaceoffilm AT deanecormac impersonalenunciationortheplaceoffilm AT polandana impersonalenunciationortheplaceoffilm |
status_str |
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ids_txt_mv |
(DE-B1597)458436 (OCoLC)940679988 |
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Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2016 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 |
is_hierarchy_title |
Impersonal Enunciation, or the Place of Film / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 |
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