The End of Cinema? : : A Medium in Crisis in the Digital Age / / Philippe Marion, André Gaudreault.
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | Film and Culture Series
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Physical Description: | 1 online resource (256 p.) :; ‹B›6 b&w illustrations‹/B› |
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Gaudreault, André, author. aut http://id.loc.gov/vocabulary/relators/aut The End of Cinema? : A Medium in Crisis in the Digital Age / Philippe Marion, André Gaudreault. New York, NY : Columbia University Press, [2015] ©2015 1 online resource (256 p.) : ‹B›6 b&w illustrations‹/B› text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film and Culture Series Frontmatter -- Contents -- Preface -- Introduction. The End of Cinema? -- One. Cinema Is Not What It Used to Be -- Two. Digitalizing Cinema from Top to Bottom -- Three. A Brief Phenomenology of "Digitalized" Cinema -- Four. From Shooting to Filming: The Aufhebung Effect -- Five. A Medium Is Always Born Twice . . . -- Six. New Variants of the Moving Image -- Seven. "Animage" and the New Visual Culture -- Conclusion. A Medium in Crisis in the Digital Age -- Notes -- Acknowledgments -- Selected Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Digital media. Motion pictures Philosophy. Motion pictures Social aspects. Motion pictures Technological innovations. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Barnard, Timothy. Marion, Philippe, author. aut http://id.loc.gov/vocabulary/relators/aut Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 9783110665864 print 9780231173568 https://doi.org/10.7312/gaud17356 https://www.degruyter.com/isbn/9780231539388 Cover https://www.degruyter.com/document/cover/isbn/9780231539388/original |
language |
English |
format |
eBook |
author |
Gaudreault, André, Gaudreault, André, Marion, Philippe, |
spellingShingle |
Gaudreault, André, Gaudreault, André, Marion, Philippe, The End of Cinema? : A Medium in Crisis in the Digital Age / Film and Culture Series Frontmatter -- Contents -- Preface -- Introduction. The End of Cinema? -- One. Cinema Is Not What It Used to Be -- Two. Digitalizing Cinema from Top to Bottom -- Three. A Brief Phenomenology of "Digitalized" Cinema -- Four. From Shooting to Filming: The Aufhebung Effect -- Five. A Medium Is Always Born Twice . . . -- Six. New Variants of the Moving Image -- Seven. "Animage" and the New Visual Culture -- Conclusion. A Medium in Crisis in the Digital Age -- Notes -- Acknowledgments -- Selected Bibliography -- Index |
author_facet |
Gaudreault, André, Gaudreault, André, Marion, Philippe, Barnard, Timothy. Marion, Philippe, Marion, Philippe, |
author_variant |
a g ag a g ag p m pm |
author_role |
VerfasserIn VerfasserIn VerfasserIn |
author2 |
Barnard, Timothy. Marion, Philippe, Marion, Philippe, |
author2_variant |
t b tb p m pm |
author2_role |
TeilnehmendeR VerfasserIn VerfasserIn |
author_sort |
Gaudreault, André, |
title |
The End of Cinema? : A Medium in Crisis in the Digital Age / |
title_sub |
A Medium in Crisis in the Digital Age / |
title_full |
The End of Cinema? : A Medium in Crisis in the Digital Age / Philippe Marion, André Gaudreault. |
title_fullStr |
The End of Cinema? : A Medium in Crisis in the Digital Age / Philippe Marion, André Gaudreault. |
title_full_unstemmed |
The End of Cinema? : A Medium in Crisis in the Digital Age / Philippe Marion, André Gaudreault. |
title_auth |
The End of Cinema? : A Medium in Crisis in the Digital Age / |
title_alt |
Frontmatter -- Contents -- Preface -- Introduction. The End of Cinema? -- One. Cinema Is Not What It Used to Be -- Two. Digitalizing Cinema from Top to Bottom -- Three. A Brief Phenomenology of "Digitalized" Cinema -- Four. From Shooting to Filming: The Aufhebung Effect -- Five. A Medium Is Always Born Twice . . . -- Six. New Variants of the Moving Image -- Seven. "Animage" and the New Visual Culture -- Conclusion. A Medium in Crisis in the Digital Age -- Notes -- Acknowledgments -- Selected Bibliography -- Index |
title_new |
The End of Cinema? : |
title_sort |
the end of cinema? : a medium in crisis in the digital age / |
series |
Film and Culture Series |
series2 |
Film and Culture Series |
publisher |
Columbia University Press, |
publishDate |
2015 |
physical |
1 online resource (256 p.) : ‹B›6 b&w illustrations‹/B› Issued also in print. |
contents |
Frontmatter -- Contents -- Preface -- Introduction. The End of Cinema? -- One. Cinema Is Not What It Used to Be -- Two. Digitalizing Cinema from Top to Bottom -- Three. A Brief Phenomenology of "Digitalized" Cinema -- Four. From Shooting to Filming: The Aufhebung Effect -- Five. A Medium Is Always Born Twice . . . -- Six. New Variants of the Moving Image -- Seven. "Animage" and the New Visual Culture -- Conclusion. A Medium in Crisis in the Digital Age -- Notes -- Acknowledgments -- Selected Bibliography -- Index |
isbn |
9780231539388 9783110665864 9780231173568 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995 G335 42015 |
url |
https://doi.org/10.7312/gaud17356 https://www.degruyter.com/isbn/9780231539388 https://www.degruyter.com/document/cover/isbn/9780231539388/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4301 |
dewey-sort |
3791.4301 |
dewey-raw |
791.4301 |
dewey-search |
791.4301 |
doi_str_mv |
10.7312/gaud17356 |
oclc_num |
904407252 |
work_keys_str_mv |
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status_str |
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ids_txt_mv |
(DE-B1597)458328 (OCoLC)904407252 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
The End of Cinema? : A Medium in Crisis in the Digital Age / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
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