Dreaming of Cinema : : Spectatorship, Surrealism, and the Age of Digital Media / / Adam Lowenstein.
Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Y...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Series: | Film and Culture Series
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Online Access: | |
Physical Description: | 1 online resource (280 p.) :; ‹B›B&W Illus.: ‹/B›38. |
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Other title: | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Enlarged Spectatorship -- 2. Interactive Spectatorship -- 3. Globalized Spectatorship -- 4. Posthuman Spectatorship -- 5. Collaborative Spectatorship -- Afterword -- Notes -- Bibliography -- Index -- Backmatter |
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Summary: | Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231538480 9783110665864 |
DOI: | 10.7312/lowe16656 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Adam Lowenstein. |