Where Film Meets Philosophy : : Godard, Resnais, and Experiments in Cinematic Thinking / / Hunter Vaughan.
Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparat...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Film and Culture Series
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Online Access: | |
Physical Description: | 1 online resource (264 p.) :; 42 photographs |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Where Film Meets Philosophy
- 1. Phenomenology and The Viewing Subject
- 2. Film Connotation And The Signified Subject
- 3. Sound, Image, And The Order Of Meaning
- 4. Alain Resnais And The Code Of Subjectivity
- 5. Jean-Luc Godard And The Code Of Objectivity
- Conclusion: Where Film And Philosophy May Lead
- Notes
- Bibliography
- Index
- Backmatter