Where Film Meets Philosophy : : Godard, Resnais, and Experiments in Cinematic Thinking / / Hunter Vaughan.

Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparat...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013
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Place / Publishing House:New York, NY : : Columbia University Press, , [2013]
©2013
Year of Publication:2013
Language:English
Series:Film and Culture Series
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Physical Description:1 online resource (264 p.) :; 42 photographs
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Acknowledgments
  • Introduction: Where Film Meets Philosophy
  • 1. Phenomenology and The Viewing Subject
  • 2. Film Connotation And The Signified Subject
  • 3. Sound, Image, And The Order Of Meaning
  • 4. Alain Resnais And The Code Of Subjectivity
  • 5. Jean-Luc Godard And The Code Of Objectivity
  • Conclusion: Where Film And Philosophy May Lead
  • Notes
  • Bibliography
  • Index
  • Backmatter