Where Film Meets Philosophy : : Godard, Resnais, and Experiments in Cinematic Thinking / / Hunter Vaughan.
Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparat...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Film and Culture Series
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Physical Description: | 1 online resource (264 p.) :; 42 photographs |
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Vaughan, Hunter, author. aut http://id.loc.gov/vocabulary/relators/aut Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / Hunter Vaughan. New York, NY : Columbia University Press, [2013] ©2013 1 online resource (264 p.) : 42 photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film and Culture Series Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Where Film Meets Philosophy -- 1. Phenomenology and The Viewing Subject -- 2. Film Connotation And The Signified Subject -- 3. Sound, Image, And The Order Of Meaning -- 4. Alain Resnais And The Code Of Subjectivity -- 5. Jean-Luc Godard And The Code Of Objectivity -- Conclusion: Where Film And Philosophy May Lead -- Notes -- Bibliography -- Index -- Backmatter restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparative analysis of Jean-Luc Godard's films, which critique the audio-visual illusion of empirical observation (objectivity), and the cinema of Alain Resnais, in which the sound-image generates innovative portrayals of individual experience (subjectivity). Both filmmakers radically upend conventional film practices and challenge philosophical traditions to alter our understanding of the self, the world, and the relationship between the two. Films discussed in detail include Godard's Vivre sa vie (1962), Contempt (1963), and 2 or 3 Things I Know About Her (1967); and Resnais's Hiroshima, mon amour (1959), Last Year at Marienbad (1961), and The War Is Over (1966). Situating the formative works of these filmmakers within a broader philosophical context, Vaughan pioneers a phenomenological film semiotics linking two disparate methodologies to the mirrored achievements of two seemingly irreconcilable artists. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion pictures Philosophy. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 9783110442472 print 9780231161336 https://doi.org/10.7312/vaug16132 https://www.degruyter.com/isbn/9780231530828 Cover https://www.degruyter.com/document/cover/isbn/9780231530828/original |
language |
English |
format |
eBook |
author |
Vaughan, Hunter, Vaughan, Hunter, |
spellingShingle |
Vaughan, Hunter, Vaughan, Hunter, Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / Film and Culture Series Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Where Film Meets Philosophy -- 1. Phenomenology and The Viewing Subject -- 2. Film Connotation And The Signified Subject -- 3. Sound, Image, And The Order Of Meaning -- 4. Alain Resnais And The Code Of Subjectivity -- 5. Jean-Luc Godard And The Code Of Objectivity -- Conclusion: Where Film And Philosophy May Lead -- Notes -- Bibliography -- Index -- Backmatter |
author_facet |
Vaughan, Hunter, Vaughan, Hunter, |
author_variant |
h v hv h v hv |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Vaughan, Hunter, |
title |
Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / |
title_sub |
Godard, Resnais, and Experiments in Cinematic Thinking / |
title_full |
Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / Hunter Vaughan. |
title_fullStr |
Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / Hunter Vaughan. |
title_full_unstemmed |
Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / Hunter Vaughan. |
title_auth |
Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Where Film Meets Philosophy -- 1. Phenomenology and The Viewing Subject -- 2. Film Connotation And The Signified Subject -- 3. Sound, Image, And The Order Of Meaning -- 4. Alain Resnais And The Code Of Subjectivity -- 5. Jean-Luc Godard And The Code Of Objectivity -- Conclusion: Where Film And Philosophy May Lead -- Notes -- Bibliography -- Index -- Backmatter |
title_new |
Where Film Meets Philosophy : |
title_sort |
where film meets philosophy : godard, resnais, and experiments in cinematic thinking / |
series |
Film and Culture Series |
series2 |
Film and Culture Series |
publisher |
Columbia University Press, |
publishDate |
2013 |
physical |
1 online resource (264 p.) : 42 photographs Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Where Film Meets Philosophy -- 1. Phenomenology and The Viewing Subject -- 2. Film Connotation And The Signified Subject -- 3. Sound, Image, And The Order Of Meaning -- 4. Alain Resnais And The Code Of Subjectivity -- 5. Jean-Luc Godard And The Code Of Objectivity -- Conclusion: Where Film And Philosophy May Lead -- Notes -- Bibliography -- Index -- Backmatter |
isbn |
9780231530828 9783110442472 9780231161336 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995 V375 42013 |
url |
https://doi.org/10.7312/vaug16132 https://www.degruyter.com/isbn/9780231530828 https://www.degruyter.com/document/cover/isbn/9780231530828/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4301 |
dewey-sort |
3791.4301 |
dewey-raw |
791.4301 |
dewey-search |
791.4301 |
doi_str_mv |
10.7312/vaug16132 |
oclc_num |
826997368 |
work_keys_str_mv |
AT vaughanhunter wherefilmmeetsphilosophygodardresnaisandexperimentsincinematicthinking |
status_str |
n |
ids_txt_mv |
(DE-B1597)459409 (OCoLC)826997368 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Where Film Meets Philosophy : Godard, Resnais, and Experiments in Cinematic Thinking / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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1770176042245292032 |
fullrecord |
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