Gilbert and Sullivan : : Gender, Genre, Parody / / Carolyn Williams.
Long before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despi...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2010] ©2010 |
Year of Publication: | 2010 |
Language: | English |
Series: | Gender and Culture Series
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Online Access: | |
Physical Description: | 1 online resource (480 p.) :; 76 illus. |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- 1. Outmoding Classical Extravaganza, Englishing Opéra Bouffe
- 2. Gender in the Breach
- 3. English Magic, English Intoxication
- 4. "Never Mind the Why and Wherefore"
- 5. Recollecting Illegitimacy
- 6. New Light on Changing Gender Norms
- 7. Transforming the Fairy Genres
- 8. War Between the Sexes
- 9. Estrangement and Familiarity
- 10. Mixing It Up
- 11. The Past Is a Foreign Country
- 12. Imaginary Republicanism
- 13. Capitalism and Colonialism
- 14. Continental Recollections
- After Gilbert and Sullivan
- Notes
- Index
- Backmatter
- Preface
- Introduction