Gilbert and Sullivan : : Gender, Genre, Parody / / Carolyn Williams.
Long before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despi...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2010] ©2010 |
Year of Publication: | 2010 |
Language: | English |
Series: | Gender and Culture Series
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Online Access: | |
Physical Description: | 1 online resource (480 p.) :; 76 illus. |
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020 | |a 9780231519663 | ||
024 | 7 | |a 10.7312/will14804 |2 doi | |
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050 | 0 | 0 | |a ML410.S95 |b W45 2011 |
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100 | 1 | |a Williams, Carolyn, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Gilbert and Sullivan : |b Gender, Genre, Parody / |c Carolyn Williams. |
264 | 1 | |a New York, NY : |b Columbia University Press, |c [2010] | |
264 | 4 | |c ©2010 | |
300 | |a 1 online resource (480 p.) : |b 76 illus. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Gender and Culture Series | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t 1. Outmoding Classical Extravaganza, Englishing Opéra Bouffe -- |t 2. Gender in the Breach -- |t 3. English Magic, English Intoxication -- |t 4. "Never Mind the Why and Wherefore" -- |t 5. Recollecting Illegitimacy -- |t 6. New Light on Changing Gender Norms -- |t 7. Transforming the Fairy Genres -- |t 8. War Between the Sexes -- |t 9. Estrangement and Familiarity -- |t 10. Mixing It Up -- |t 11. The Past Is a Foreign Country -- |t 12. Imaginary Republicanism -- |t 13. Capitalism and Colonialism -- |t 14. Continental Recollections -- |t After Gilbert and Sullivan -- |t Notes -- |t Index -- |t Backmatter -- |t Preface -- |t Introduction |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Long before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late-nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved that popular culture can be intellectually as well as politically challenging.Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Her unique perspective shows how anxiety drives the troubled mind in the Lord Chancellor's "Nightmare Song" in Iolanthe and is vividly realized in the sexual and economic phrasing of the song's patter lyrics. The modern body appears automated and performative in the "Junction Song" in Thespis, anticipating Charlie Chaplin's factory worker in Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian aesthetic and idyllic poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance. With her provocative reinterpretation of these artists and their work, Williams recasts our understanding of creativity in the late nineteenth century. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Opera |x 19th century |x England. | |
650 | 0 | |a Opera |z England |y 19th century. | |
650 | 0 | |a Parody in music. | |
650 | 0 | |a Sex role in music. | |
650 | 7 | |a PERFORMING ARTS / Theater / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press eBook-Package Backlist 2000-2013 |z 9783110442472 |
776 | 0 | |c print |z 9780231148054 | |
856 | 4 | 0 | |u https://doi.org/10.7312/will14804 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231519663 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231519663/original |
912 | |a 978-3-11-044247-2 Columbia University Press eBook-Package Backlist 2000-2013 |c 2000 |d 2013 | ||
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