Museum Digitisations and Emerging Curatorial Agencies Online : : Vikings in the Digital Age.

Museum Digitisations and Emerging Curatorial Agencies Online : : Vikings in the Digital Age.

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Bibliographic Details
:
Axelsson, Bodil.
TeilnehmendeR:
Cameron, Fiona R.
Hauptman, Katherine.
Pietrobruno, Sheenagh.
Place / Publishing House:Cham : : Springer International Publishing AG,, 2022.
©2022.
Year of Publication:2022
Edition:1st ed.
Language:English
Online Access:
Physical Description:1 online resource (150 pages)
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Table of Contents:
  • Intro
  • Acknowledgements
  • Contents
  • About the Authors
  • List of Figures
  • List of Tables
  • Chapter 1: Introduction
  • Approaching Curatorial Agency
  • The Confluence of Museums and Societies
  • Caring for a Collection Attributed to Vikings
  • References
  • Chapter 2: Curatorial Challenges: Discussion Forums and Fragmented Narratives
  • Archaeology Forum, 2004-2009
  • Separate Forums: Different Viking Ages, 2010-2015
  • Antagonistic Argumentation, 2016-2020
  • Debating Female Warriors
  • Curatorial Challenges
  • References
  • Chapter 3: Tales of the Viking Helmet: Narrative Shifts from Museum Exhibitions to Personalised Search Requests
  • Exhibitions, Search Engine Result Pages and Media
  • The Swedish History Museum, the Viking Helmet and Media
  • Personalisation, Museum Curation and Search Engine Result Pages
  • SERP Method
  • Research Results: The Tor Browser
  • Research Results: The Personalised Browser and the Impact of Language and Location
  • Conclusion
  • References
  • Chapter 4: Viking Jewellery on Pinterest: Drifting Digitisations and Shared Curatorial Agency
  • Studying an Endless Flow of Pins
  • Thor's Hammers, Masculinity and Transnational Vikings
  • Jewellery Sets, Femininity and Reenactment
  • From Historical Evidence to Ethnic Fashion
  • Machine Learning Models for Pins and Pinners
  • Shared Curatorial Agency and Drifting Pins
  • Conclusion
  • References
  • Chapter 5: Technospheric Curation and the Swedish Allah Ring: Refiguring Digitisations and Curatorial Agency as Ecological Compositions, and Eco-curating as Planetary Inhabitations
  • Refiguring the Optics
  • Digitisations as a Humanist Form
  • The Digitisation of the Allah Ring as More-than-Human Ecological Compositions
  • Refiguring Curatorial Agency as Dynamic, More-than-Human, Eco-curating Processes
  • The More-than-Digital Allah Ring as Technospheric Heritage.
  • Concluding Remarks
  • References
  • Chapter 6: Conclusion
  • References
  • Index.

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