Museum Digitisations and Emerging Curatorial Agencies Online : : Vikings in the Digital Age.

• Author: Axelsson, Bodil.
• TeilnehmendeR: Cameron, Fiona R.; Hauptman, Katherine.; Pietrobruno, Sheenagh.
• Place / Publishing House: Cham : : Springer International Publishing AG,, 2022.; ©2022.
• Year of Publication: 2022
• Edition: 1st ed.
• Language: English
• Physical Description: 1 online resource (150 pages)

Table of Contents

Intro -- Acknowledgements -- Contents -- About the Authors -- List of Figures -- List of Tables -- Chapter 1: Introduction -- Approaching Curatorial Agency -- The Confluence of Museums and Societies -- Caring for a Collection Attributed to Vikings -- References -- Chapter 2: Curatorial Challenges: Discussion Forums and Fragmented Narratives -- Archaeology Forum, 2004-2009 -- Separate Forums: Different Viking Ages, 2010-2015 -- Antagonistic Argumentation, 2016-2020 -- Debating Female Warriors -- Curatorial Challenges -- References -- Chapter 3: Tales of the Viking Helmet: Narrative Shifts from Museum Exhibitions to Personalised Search Requests -- Exhibitions, Search Engine Result Pages and Media -- The Swedish History Museum, the Viking Helmet and Media -- Personalisation, Museum Curation and Search Engine Result Pages -- SERP Method -- Research Results: The Tor Browser -- Research Results: The Personalised Browser and the Impact of Language and Location -- Conclusion -- References -- Chapter 4: Viking Jewellery on Pinterest: Drifting Digitisations and Shared Curatorial Agency -- Studying an Endless Flow of Pins -- Thor's Hammers, Masculinity and Transnational Vikings -- Jewellery Sets, Femininity and Reenactment -- From Historical Evidence to Ethnic Fashion -- Machine Learning Models for Pins and Pinners -- Shared Curatorial Agency and Drifting Pins -- Conclusion -- References -- Chapter 5: Technospheric Curation and the Swedish Allah Ring: Refiguring Digitisations and Curatorial Agency as Ecological Compositions, and Eco-curating as Planetary Inhabitations -- Refiguring the Optics -- Digitisations as a Humanist Form -- The Digitisation of the Allah Ring as More-than-Human Ecological Compositions -- Refiguring Curatorial Agency as Dynamic, More-than-Human, Eco-curating Processes -- The More-than-Digital Allah Ring as Technospheric Heritage.

Concluding Remarks -- References -- Chapter 6: Conclusion -- References -- Index.