Table of Contents: Creative Frictions :

Creative Frictions : : Arts Leadership, Policy and Practice in Multicultural Australia.

Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally...

Full description

Saved in:

Bibliographic Details
:	Cmielewski, Cecelia.
Place / Publishing House:	Canberra : : ANU Press,, 2021. ©2021.
Year of Publication:	2021
Edition:	1st ed.
Language:	English
Online Access:	https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6829385
Physical Description:	1 online resource (304 pages)
Tags:	Add Tag No Tags, Be the first to tag this record!

Table of Contents:

Intro
Acknowledgements
List of Tables
Table 1: Proportion of professional NESB artists in each artistic field, 2009 and 2015
Table 2: Expected and actual levels of representation of NESB artists in 2005
Table 3: Member organisations of kultour in 2000
Table 4: Longevity of multi-artform multicultural arts organisations
Table 5: Chronology of multicultural arts policy at the Australia Council
List of Illustrations
Image 1: Annalouise Paul, Mother Tongue, 2014
Image 2: Counting and Cracking, Belvoir Street Theatre, 2019
Image 3: Hossein Valamanesh, The Lover Circles His Own Heart, 1993
Image 4: Hossein Valamanesh, Practice, 2006
Image 5: Lex Marinos, The Slap, 2011
Image 6: Konstantin Koukias, Sea Chant. Settlers, Ships and Saw‑Horses, 2001
Image 7: Hossein Valamanesh, This Will Also Pass, 2007
Image 8: Counting and Cracking, Belvoir Street Theatre, 2019
Image 9: Counting and Cracking, Belvoir Street Theatre, 2019
Image 10: Konstantin Koukias, To Traverse Water, 1995, Melbourne International Festival of the Arts
Image 11: Sean Ly (director and videographer), Beyond Refuge: Flashbacks, 2016
Image 12: Counting and Cracking, Belvoir Street Theatre, 2019
Image 13: Annalouise Paul, Forge, 2016
Image 14: Hossein Valamanesh, Untitled Map, 2002
Image 15: Annalouise Paul, Mother Tongue, 2014
Image 16: Annalouise Paul, Isabel, 2008
Image 17: Annalouise Paul, Mother Tongue, rehearsal, 2014
Image 18: Konstantin Koukias, Tesla-Lightning in His Hand, 2003
Image 19: Lex Marinos, The Slap, 2011
Image 20: Counting and Cracking, Belvoir Street Theatre, 2019
Image 21: Bong Ramilo, Treasure Language Storytelling, performance, 2016
Image 22: Annette Shun Wah
Image 23: Contemporary Asian Australian Performance Artists Lab brochure, 2020.
Image 24: Bong Ramilo with Pia De Compiegne, 1991, launch of the New South Wales Multicultural Arts Association
Figure 1: Governance structure of the Australia Council, 2006-11
Figure 2: Art + Cultural Difference + Global Collaboration workshop
Figure 3: Contemporary Asian Australian Performance and Playwriting Australia. Cycle of change using creative and organisational leadership
Figure 4: Cycle of change using creative and organisational leadership
Acronyms
Introduction
Advancing Multicultural Arts: Policies, Problems and Practice
Leading for the Arts in a Multicultural Australia
Shaping the Discourse of Arts in a Multicultural Australia
Creative Leadership: The Agency of the NESB Artist
Challenges of Institutional Leadership: Reluctance in the Australia Council
Organisational Leadership: Expanding the Multicultural Arts Milieu
Epilogue: Towards a Supportive Multicultural Arts Milieu
Appendix A: Participant Biographies
Appendix B: Chronology
Appendix C: Governance
Appendix D: Art + Cultural Difference + Global Collaboration
Appendix E: Cycle of Change
References.

Creative Frictions : : Arts Leadership, Policy and Practice in Multicultural Australia.

Similar Items