Creative Frictions : : Arts Leadership, Policy and Practice in Multicultural Australia.
Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally...
Saved in:
: | |
---|---|
Place / Publishing House: | Canberra : : ANU Press,, 2021. ©2021. |
Year of Publication: | 2021 |
Edition: | 1st ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (304 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
5006829385 |
---|---|
ctrlnum |
(MiAaPQ)5006829385 (Au-PeEL)EBL6829385 (OCoLC)1262785069 |
collection |
bib_alma |
record_format |
marc |
spelling |
Cmielewski, Cecelia. Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. 1st ed. Canberra : ANU Press, 2021. ©2021. 1 online resource (304 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Intro -- Acknowledgements -- List of Tables -- Table 1: Proportion of professional NESB artists in each artistic field, 2009 and 2015 -- Table 2: Expected and actual levels of representation of NESB artists in 2005 -- Table 3: Member organisations of kultour in 2000 -- Table 4: Longevity of multi-artform multicultural arts organisations -- Table 5: Chronology of multicultural arts policy at the Australia Council -- List of Illustrations -- Image 1: Annalouise Paul, Mother Tongue, 2014 -- Image 2: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 3: Hossein Valamanesh, The Lover Circles His Own Heart, 1993 -- Image 4: Hossein Valamanesh, Practice, 2006 -- Image 5: Lex Marinos, The Slap, 2011 -- Image 6: Konstantin Koukias, Sea Chant. Settlers, Ships and Saw‑Horses, 2001 -- Image 7: Hossein Valamanesh, This Will Also Pass, 2007 -- Image 8: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 9: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 10: Konstantin Koukias, To Traverse Water, 1995, Melbourne International Festival of the Arts -- Image 11: Sean Ly (director and videographer), Beyond Refuge: Flashbacks, 2016 -- Image 12: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 13: Annalouise Paul, Forge, 2016 -- Image 14: Hossein Valamanesh, Untitled Map, 2002 -- Image 15: Annalouise Paul, Mother Tongue, 2014 -- Image 16: Annalouise Paul, Isabel, 2008 -- Image 17: Annalouise Paul, Mother Tongue, rehearsal, 2014 -- Image 18: Konstantin Koukias, Tesla-Lightning in His Hand, 2003 -- Image 19: Lex Marinos, The Slap, 2011 -- Image 20: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 21: Bong Ramilo, Treasure Language Storytelling, performance, 2016 -- Image 22: Annette Shun Wah -- Image 23: Contemporary Asian Australian Performance Artists Lab brochure, 2020. Image 24: Bong Ramilo with Pia De Compiegne, 1991, launch of the New South Wales Multicultural Arts Association -- Figure 1: Governance structure of the Australia Council, 2006-11 -- Figure 2: Art + Cultural Difference + Global Collaboration workshop -- Figure 3: Contemporary Asian Australian Performance and Playwriting Australia. Cycle of change using creative and organisational leadership -- Figure 4: Cycle of change using creative and organisational leadership -- Acronyms -- Introduction -- Advancing Multicultural Arts: Policies, Problems and Practice -- Leading for the Arts in a Multicultural Australia -- Shaping the Discourse of Arts in a Multicultural Australia -- Creative Leadership: The Agency of the NESB Artist -- Challenges of Institutional Leadership: Reluctance in the Australia Council -- Organisational Leadership: Expanding the Multicultural Arts Milieu -- Epilogue: Towards a Supportive Multicultural Arts Milieu -- Appendix A: Participant Biographies -- Appendix B: Chronology -- Appendix C: Governance -- Appendix D: Art + Cultural Difference + Global Collaboration -- Appendix E: Cycle of Change -- References. Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally diverse population. Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Arts. Cultural policy. Multiculturalism. Electronic books. Print version: Cmielewski, Cecelia Creative Frictions Canberra : ANU Press,c2021 9781760464585 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6829385 Click to View |
language |
English |
format |
eBook |
author |
Cmielewski, Cecelia. |
spellingShingle |
Cmielewski, Cecelia. Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. Intro -- Acknowledgements -- List of Tables -- Table 1: Proportion of professional NESB artists in each artistic field, 2009 and 2015 -- Table 2: Expected and actual levels of representation of NESB artists in 2005 -- Table 3: Member organisations of kultour in 2000 -- Table 4: Longevity of multi-artform multicultural arts organisations -- Table 5: Chronology of multicultural arts policy at the Australia Council -- List of Illustrations -- Image 1: Annalouise Paul, Mother Tongue, 2014 -- Image 2: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 3: Hossein Valamanesh, The Lover Circles His Own Heart, 1993 -- Image 4: Hossein Valamanesh, Practice, 2006 -- Image 5: Lex Marinos, The Slap, 2011 -- Image 6: Konstantin Koukias, Sea Chant. Settlers, Ships and Saw‑Horses, 2001 -- Image 7: Hossein Valamanesh, This Will Also Pass, 2007 -- Image 8: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 9: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 10: Konstantin Koukias, To Traverse Water, 1995, Melbourne International Festival of the Arts -- Image 11: Sean Ly (director and videographer), Beyond Refuge: Flashbacks, 2016 -- Image 12: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 13: Annalouise Paul, Forge, 2016 -- Image 14: Hossein Valamanesh, Untitled Map, 2002 -- Image 15: Annalouise Paul, Mother Tongue, 2014 -- Image 16: Annalouise Paul, Isabel, 2008 -- Image 17: Annalouise Paul, Mother Tongue, rehearsal, 2014 -- Image 18: Konstantin Koukias, Tesla-Lightning in His Hand, 2003 -- Image 19: Lex Marinos, The Slap, 2011 -- Image 20: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 21: Bong Ramilo, Treasure Language Storytelling, performance, 2016 -- Image 22: Annette Shun Wah -- Image 23: Contemporary Asian Australian Performance Artists Lab brochure, 2020. Image 24: Bong Ramilo with Pia De Compiegne, 1991, launch of the New South Wales Multicultural Arts Association -- Figure 1: Governance structure of the Australia Council, 2006-11 -- Figure 2: Art + Cultural Difference + Global Collaboration workshop -- Figure 3: Contemporary Asian Australian Performance and Playwriting Australia. Cycle of change using creative and organisational leadership -- Figure 4: Cycle of change using creative and organisational leadership -- Acronyms -- Introduction -- Advancing Multicultural Arts: Policies, Problems and Practice -- Leading for the Arts in a Multicultural Australia -- Shaping the Discourse of Arts in a Multicultural Australia -- Creative Leadership: The Agency of the NESB Artist -- Challenges of Institutional Leadership: Reluctance in the Australia Council -- Organisational Leadership: Expanding the Multicultural Arts Milieu -- Epilogue: Towards a Supportive Multicultural Arts Milieu -- Appendix A: Participant Biographies -- Appendix B: Chronology -- Appendix C: Governance -- Appendix D: Art + Cultural Difference + Global Collaboration -- Appendix E: Cycle of Change -- References. |
author_facet |
Cmielewski, Cecelia. |
author_variant |
c c cc |
author_sort |
Cmielewski, Cecelia. |
title |
Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. |
title_sub |
Arts Leadership, Policy and Practice in Multicultural Australia. |
title_full |
Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. |
title_fullStr |
Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. |
title_full_unstemmed |
Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. |
title_auth |
Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. |
title_new |
Creative Frictions : |
title_sort |
creative frictions : arts leadership, policy and practice in multicultural australia. |
publisher |
ANU Press, |
publishDate |
2021 |
physical |
1 online resource (304 pages) |
edition |
1st ed. |
contents |
Intro -- Acknowledgements -- List of Tables -- Table 1: Proportion of professional NESB artists in each artistic field, 2009 and 2015 -- Table 2: Expected and actual levels of representation of NESB artists in 2005 -- Table 3: Member organisations of kultour in 2000 -- Table 4: Longevity of multi-artform multicultural arts organisations -- Table 5: Chronology of multicultural arts policy at the Australia Council -- List of Illustrations -- Image 1: Annalouise Paul, Mother Tongue, 2014 -- Image 2: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 3: Hossein Valamanesh, The Lover Circles His Own Heart, 1993 -- Image 4: Hossein Valamanesh, Practice, 2006 -- Image 5: Lex Marinos, The Slap, 2011 -- Image 6: Konstantin Koukias, Sea Chant. Settlers, Ships and Saw‑Horses, 2001 -- Image 7: Hossein Valamanesh, This Will Also Pass, 2007 -- Image 8: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 9: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 10: Konstantin Koukias, To Traverse Water, 1995, Melbourne International Festival of the Arts -- Image 11: Sean Ly (director and videographer), Beyond Refuge: Flashbacks, 2016 -- Image 12: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 13: Annalouise Paul, Forge, 2016 -- Image 14: Hossein Valamanesh, Untitled Map, 2002 -- Image 15: Annalouise Paul, Mother Tongue, 2014 -- Image 16: Annalouise Paul, Isabel, 2008 -- Image 17: Annalouise Paul, Mother Tongue, rehearsal, 2014 -- Image 18: Konstantin Koukias, Tesla-Lightning in His Hand, 2003 -- Image 19: Lex Marinos, The Slap, 2011 -- Image 20: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 21: Bong Ramilo, Treasure Language Storytelling, performance, 2016 -- Image 22: Annette Shun Wah -- Image 23: Contemporary Asian Australian Performance Artists Lab brochure, 2020. Image 24: Bong Ramilo with Pia De Compiegne, 1991, launch of the New South Wales Multicultural Arts Association -- Figure 1: Governance structure of the Australia Council, 2006-11 -- Figure 2: Art + Cultural Difference + Global Collaboration workshop -- Figure 3: Contemporary Asian Australian Performance and Playwriting Australia. Cycle of change using creative and organisational leadership -- Figure 4: Cycle of change using creative and organisational leadership -- Acronyms -- Introduction -- Advancing Multicultural Arts: Policies, Problems and Practice -- Leading for the Arts in a Multicultural Australia -- Shaping the Discourse of Arts in a Multicultural Australia -- Creative Leadership: The Agency of the NESB Artist -- Challenges of Institutional Leadership: Reluctance in the Australia Council -- Organisational Leadership: Expanding the Multicultural Arts Milieu -- Epilogue: Towards a Supportive Multicultural Arts Milieu -- Appendix A: Participant Biographies -- Appendix B: Chronology -- Appendix C: Governance -- Appendix D: Art + Cultural Difference + Global Collaboration -- Appendix E: Cycle of Change -- References. |
isbn |
9781760464592 9781760464585 |
callnumber-first |
D - World History |
callnumber-subject |
DU - Oceania (South Seas) |
callnumber-label |
DU107 |
callnumber-sort |
DU 3107 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6829385 |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
300 - Social sciences, sociology & anthropology |
dewey-ones |
306 - Culture & institutions |
dewey-full |
306.0994 |
dewey-sort |
3306.0994 |
dewey-raw |
306.0994 |
dewey-search |
306.0994 |
oclc_num |
1262785069 |
work_keys_str_mv |
AT cmielewskicecelia creativefrictionsartsleadershippolicyandpracticeinmulticulturalaustralia |
status_str |
n |
ids_txt_mv |
(MiAaPQ)5006829385 (Au-PeEL)EBL6829385 (OCoLC)1262785069 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia. |
marc_error |
Info : MARC8 translation shorter than ISO-8859-1, choosing MARC8. --- [ 856 : z ] |
_version_ |
1792331061319958528 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04929nam a22004453i 4500</leader><controlfield tag="001">5006829385</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20240229073845.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">240229s2021 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781760464592</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781760464585</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)5006829385</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL6829385</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1262785069</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">DU107</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">306.0994</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cmielewski, Cecelia.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Creative Frictions :</subfield><subfield code="b">Arts Leadership, Policy and Practice in Multicultural Australia.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Canberra :</subfield><subfield code="b">ANU Press,</subfield><subfield code="c">2021.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (304 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- Acknowledgements -- List of Tables -- Table 1: Proportion of professional NESB artists in each artistic field, 2009 and 2015 -- Table 2: Expected and actual levels of representation of NESB artists in 2005 -- Table 3: Member organisations of kultour in 2000 -- Table 4: Longevity of multi-artform multicultural arts organisations -- Table 5: Chronology of multicultural arts policy at the Australia Council -- List of Illustrations -- Image 1: Annalouise Paul, Mother Tongue, 2014 -- Image 2: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 3: Hossein Valamanesh, The Lover Circles His Own Heart, 1993 -- Image 4: Hossein Valamanesh, Practice, 2006 -- Image 5: Lex Marinos, The Slap, 2011 -- Image 6: Konstantin Koukias, Sea Chant. Settlers, Ships and Saw‑Horses, 2001 -- Image 7: Hossein Valamanesh, This Will Also Pass, 2007 -- Image 8: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 9: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 10: Konstantin Koukias, To Traverse Water, 1995, Melbourne International Festival of the Arts -- Image 11: Sean Ly (director and videographer), Beyond Refuge: Flashbacks, 2016 -- Image 12: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 13: Annalouise Paul, Forge, 2016 -- Image 14: Hossein Valamanesh, Untitled Map, 2002 -- Image 15: Annalouise Paul, Mother Tongue, 2014 -- Image 16: Annalouise Paul, Isabel, 2008 -- Image 17: Annalouise Paul, Mother Tongue, rehearsal, 2014 -- Image 18: Konstantin Koukias, Tesla-Lightning in His Hand, 2003 -- Image 19: Lex Marinos, The Slap, 2011 -- Image 20: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 21: Bong Ramilo, Treasure Language Storytelling, performance, 2016 -- Image 22: Annette Shun Wah -- Image 23: Contemporary Asian Australian Performance Artists Lab brochure, 2020.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Image 24: Bong Ramilo with Pia De Compiegne, 1991, launch of the New South Wales Multicultural Arts Association -- Figure 1: Governance structure of the Australia Council, 2006-11 -- Figure 2: Art + Cultural Difference + Global Collaboration workshop -- Figure 3: Contemporary Asian Australian Performance and Playwriting Australia. Cycle of change using creative and organisational leadership -- Figure 4: Cycle of change using creative and organisational leadership -- Acronyms -- Introduction -- Advancing Multicultural Arts: Policies, Problems and Practice -- Leading for the Arts in a Multicultural Australia -- Shaping the Discourse of Arts in a Multicultural Australia -- Creative Leadership: The Agency of the NESB Artist -- Challenges of Institutional Leadership: Reluctance in the Australia Council -- Organisational Leadership: Expanding the Multicultural Arts Milieu -- Epilogue: Towards a Supportive Multicultural Arts Milieu -- Appendix A: Participant Biographies -- Appendix B: Chronology -- Appendix C: Governance -- Appendix D: Art + Cultural Difference + Global Collaboration -- Appendix E: Cycle of Change -- References.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally diverse population.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="590" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. </subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cultural policy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Multiculturalism.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Cmielewski, Cecelia</subfield><subfield code="t">Creative Frictions</subfield><subfield code="d">Canberra : ANU Press,c2021</subfield><subfield code="z">9781760464585</subfield></datafield><datafield tag="797" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6829385</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |