Beyond the Mirror : : Seeing in Art History and Visual Culture Studies.

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Bibliographic Details
Superior document:Image ; v.182
:
Place / Publishing House:Bielefeld : : transcript,, 2020.
©2020.
Year of Publication:2020
Edition:1st ed.
Language:English
Series:Image
Online Access:
Physical Description:1 online resource (250 pages)
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Table of Contents:
  • Intro
  • Contents
  • Introduction
  • Seeing and the concept of visuality
  • Trains of thought - readings
  • Art history and seeing
  • Seeing in the visual field: visual culture studies
  • Seeing as an ethical question
  • Part One: How do Art Historians See?
  • 1. Interpreting Forms of Representation
  • Visual order as concretized worldview - Erwin Panofsky's Perspective as Symbolic Form
  • Seeing as an approach to reality - Ernst Gombrich's Art and Illusion
  • 2. Experience and the Visual
  • The "Period Eye" - Michael Baxandall's Painting and Experience
  • Between presence and representation - Svetlana Alpers' The Art of Describing
  • 3. Through the Eyes of the Spectator
  • Seeing the Other - Otto Pächt's The Practice of Art History: Reflections on Method
  • Focus on reception - Wolfgang Kemp's Der Anteil des Betrachters
  • Part Two: Visual Culture Studies - Looking at the Visual
  • 4. Visual Culture Studies - Concepts and Agendas
  • Culture, the political, and visual culture
  • Identity as a cultural and political concept
  • Political visuality: visibility as a contested resource
  • The academic discourse of visuality
  • One‐point perspective as a metaphor for rationalist cultures of power
  • 5. Visual Culture Studies' Foundational Concept
  • The model of the gaze
  • The threatened subject - Norman Bryson
  • The evil eye and a counter-model - Margaret Olin
  • 6. Visual Culture Studies' Operational Concept
  • What is visual culture? W.J.T. Mitchell
  • Visuality as event - Nicholas Mirzoeff
  • Seeing is reading - Mieke Bal
  • 7. Seeing as a Political Resource in Visual Culture Studies
  • The stigmatizing gaze - 'Integration and positive revaluation' - Norman Bryson
  • The discriminating and the oppositional gaze - bell hooks
  • An attempt at integration from art history - Lisa Bloom
  • Evidence
  • Evidence of the non-visible - Martin A. Berger.
  • The utopian gaze and its failure - Nicholas Mirzoeff
  • Part Three: Towards an Ethics for the Act of Seeing
  • 8. Questions of Ethics
  • Historical unfamiliarity in art historical seeing
  • Cultural unfamiliarity - the "Other" in the gaze of visual culture studies
  • The narcissistic circle - a critique
  • Attention and recognition
  • Visual spaces of the subject: Narration and observation
  • "Self‐identity is a bad visual system. Fusion is a bad strategy of positioning."
  • Seeing the Other
  • Outlook: The digital world and its consequences
  • Bibliography
  • Index.