Beyond the Mirror : : Seeing in Art History and Visual Culture Studies.

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Superior document:Image ; v.182
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Place / Publishing House:Bielefeld : : transcript,, 2020.
©2020.
Year of Publication:2020
Edition:1st ed.
Language:English
Series:Image
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Physical Description:1 online resource (250 pages)
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id 5006764529
ctrlnum (MiAaPQ)5006764529
(Au-PeEL)EBL6764529
(OCoLC)1291314643
collection bib_alma
record_format marc
spelling Falkenhausen, Susanne von.
Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
1st ed.
Bielefeld : transcript, 2020.
©2020.
1 online resource (250 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Image ; v.182
Intro -- Contents -- Introduction -- Seeing and the concept of visuality -- Trains of thought - readings -- Art history and seeing -- Seeing in the visual field: visual culture studies -- Seeing as an ethical question -- Part One: How do Art Historians See? -- 1. Interpreting Forms of Representation -- Visual order as concretized worldview - Erwin Panofsky's Perspective as Symbolic Form -- Seeing as an approach to reality - Ernst Gombrich's Art and Illusion -- 2. Experience and the Visual -- The "Period Eye" - Michael Baxandall's Painting and Experience -- Between presence and representation - Svetlana Alpers' The Art of Describing -- 3. Through the Eyes of the Spectator -- Seeing the Other - Otto Pächt's The Practice of Art History: Reflections on Method -- Focus on reception - Wolfgang Kemp's Der Anteil des Betrachters -- Part Two: Visual Culture Studies - Looking at the Visual -- 4. Visual Culture Studies - Concepts and Agendas -- Culture, the political, and visual culture -- Identity as a cultural and political concept -- Political visuality: visibility as a contested resource -- The academic discourse of visuality -- One‐point perspective as a metaphor for rationalist cultures of power -- 5. Visual Culture Studies' Foundational Concept -- The model of the gaze -- The threatened subject - Norman Bryson -- The evil eye and a counter-model - Margaret Olin -- 6. Visual Culture Studies' Operational Concept -- What is visual culture? W.J.T. Mitchell -- Visuality as event - Nicholas Mirzoeff -- Seeing is reading - Mieke Bal -- 7. Seeing as a Political Resource in Visual Culture Studies -- The stigmatizing gaze - 'Integration and positive revaluation' - Norman Bryson -- The discriminating and the oppositional gaze - bell hooks -- An attempt at integration from art history - Lisa Bloom -- Evidence -- Evidence of the non-visible - Martin A. Berger.
The utopian gaze and its failure - Nicholas Mirzoeff -- Part Three: Towards an Ethics for the Act of Seeing -- 8. Questions of Ethics -- Historical unfamiliarity in art historical seeing -- Cultural unfamiliarity - the "Other" in the gaze of visual culture studies -- The narcissistic circle - a critique -- Attention and recognition -- Visual spaces of the subject: Narration and observation -- "Self‐identity is a bad visual system. Fusion is a bad strategy of positioning." -- Seeing the Other -- Outlook: The digital world and its consequences -- Bibliography -- Index.
Description based on publisher supplied metadata and other sources.
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Electronic books.
Print version: Falkenhausen, Susanne von Beyond the Mirror Bielefeld : transcript,c2020 9783837653526
ProQuest (Firm)
Image
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6764529 Click to View
language English
format eBook
author Falkenhausen, Susanne von.
spellingShingle Falkenhausen, Susanne von.
Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
Image ;
Intro -- Contents -- Introduction -- Seeing and the concept of visuality -- Trains of thought - readings -- Art history and seeing -- Seeing in the visual field: visual culture studies -- Seeing as an ethical question -- Part One: How do Art Historians See? -- 1. Interpreting Forms of Representation -- Visual order as concretized worldview - Erwin Panofsky's Perspective as Symbolic Form -- Seeing as an approach to reality - Ernst Gombrich's Art and Illusion -- 2. Experience and the Visual -- The "Period Eye" - Michael Baxandall's Painting and Experience -- Between presence and representation - Svetlana Alpers' The Art of Describing -- 3. Through the Eyes of the Spectator -- Seeing the Other - Otto Pächt's The Practice of Art History: Reflections on Method -- Focus on reception - Wolfgang Kemp's Der Anteil des Betrachters -- Part Two: Visual Culture Studies - Looking at the Visual -- 4. Visual Culture Studies - Concepts and Agendas -- Culture, the political, and visual culture -- Identity as a cultural and political concept -- Political visuality: visibility as a contested resource -- The academic discourse of visuality -- One‐point perspective as a metaphor for rationalist cultures of power -- 5. Visual Culture Studies' Foundational Concept -- The model of the gaze -- The threatened subject - Norman Bryson -- The evil eye and a counter-model - Margaret Olin -- 6. Visual Culture Studies' Operational Concept -- What is visual culture? W.J.T. Mitchell -- Visuality as event - Nicholas Mirzoeff -- Seeing is reading - Mieke Bal -- 7. Seeing as a Political Resource in Visual Culture Studies -- The stigmatizing gaze - 'Integration and positive revaluation' - Norman Bryson -- The discriminating and the oppositional gaze - bell hooks -- An attempt at integration from art history - Lisa Bloom -- Evidence -- Evidence of the non-visible - Martin A. Berger.
The utopian gaze and its failure - Nicholas Mirzoeff -- Part Three: Towards an Ethics for the Act of Seeing -- 8. Questions of Ethics -- Historical unfamiliarity in art historical seeing -- Cultural unfamiliarity - the "Other" in the gaze of visual culture studies -- The narcissistic circle - a critique -- Attention and recognition -- Visual spaces of the subject: Narration and observation -- "Self‐identity is a bad visual system. Fusion is a bad strategy of positioning." -- Seeing the Other -- Outlook: The digital world and its consequences -- Bibliography -- Index.
author_facet Falkenhausen, Susanne von.
author_variant s v f sv svf
author_sort Falkenhausen, Susanne von.
title Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
title_sub Seeing in Art History and Visual Culture Studies.
title_full Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
title_fullStr Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
title_full_unstemmed Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
title_auth Beyond the Mirror : Seeing in Art History and Visual Culture Studies.
title_new Beyond the Mirror :
title_sort beyond the mirror : seeing in art history and visual culture studies.
series Image ;
series2 Image ;
publisher transcript,
publishDate 2020
physical 1 online resource (250 pages)
edition 1st ed.
contents Intro -- Contents -- Introduction -- Seeing and the concept of visuality -- Trains of thought - readings -- Art history and seeing -- Seeing in the visual field: visual culture studies -- Seeing as an ethical question -- Part One: How do Art Historians See? -- 1. Interpreting Forms of Representation -- Visual order as concretized worldview - Erwin Panofsky's Perspective as Symbolic Form -- Seeing as an approach to reality - Ernst Gombrich's Art and Illusion -- 2. Experience and the Visual -- The "Period Eye" - Michael Baxandall's Painting and Experience -- Between presence and representation - Svetlana Alpers' The Art of Describing -- 3. Through the Eyes of the Spectator -- Seeing the Other - Otto Pächt's The Practice of Art History: Reflections on Method -- Focus on reception - Wolfgang Kemp's Der Anteil des Betrachters -- Part Two: Visual Culture Studies - Looking at the Visual -- 4. Visual Culture Studies - Concepts and Agendas -- Culture, the political, and visual culture -- Identity as a cultural and political concept -- Political visuality: visibility as a contested resource -- The academic discourse of visuality -- One‐point perspective as a metaphor for rationalist cultures of power -- 5. Visual Culture Studies' Foundational Concept -- The model of the gaze -- The threatened subject - Norman Bryson -- The evil eye and a counter-model - Margaret Olin -- 6. Visual Culture Studies' Operational Concept -- What is visual culture? W.J.T. Mitchell -- Visuality as event - Nicholas Mirzoeff -- Seeing is reading - Mieke Bal -- 7. Seeing as a Political Resource in Visual Culture Studies -- The stigmatizing gaze - 'Integration and positive revaluation' - Norman Bryson -- The discriminating and the oppositional gaze - bell hooks -- An attempt at integration from art history - Lisa Bloom -- Evidence -- Evidence of the non-visible - Martin A. Berger.
The utopian gaze and its failure - Nicholas Mirzoeff -- Part Three: Towards an Ethics for the Act of Seeing -- 8. Questions of Ethics -- Historical unfamiliarity in art historical seeing -- Cultural unfamiliarity - the "Other" in the gaze of visual culture studies -- The narcissistic circle - a critique -- Attention and recognition -- Visual spaces of the subject: Narration and observation -- "Self‐identity is a bad visual system. Fusion is a bad strategy of positioning." -- Seeing the Other -- Outlook: The digital world and its consequences -- Bibliography -- Index.
isbn 9783839453520
9783837653526
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6764529
illustrated Not Illustrated
oclc_num 1291314643
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