A Stage of Emancipation : : Change and Progress at the Dublin Gate Theatre.
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Place / Publishing House: | Liverpool : : Liverpool University Press,, 2021. {copy}2021. |
Year of Publication: | 2021 |
Edition: | 1st ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (248 pages) |
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Corporaal, Marguérite. A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. 1st ed. Liverpool : Liverpool University Press, 2021. {copy}2021. 1 online resource (248 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover -- Contents -- Acknowledgements -- List of Illustrations -- List of Contributors -- 1. Introduction: A Stage of Emancipation -- Part I: Liberating Bodies -- 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) -- 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland -- Part II: Emancipating Communities -- 4. 'Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youth's the Season-? -- 5. Images and Imperatives: Robert Collis's Marrowbone Lane (1939) at the Gate as Theatre for Social Change -- 6. Authenticity and Social Change on the Stage in the 1970s: 'Communicating with the People' -- Part III: Staging Minority Languages -- 7. Micheál mac Liammóir, the Irish Language, and the Idea of Freedom -- 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure -- Part IV: Deconstructing Aesthetics -- 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre -- 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen -- Part V: Contesting Traditions in Contemporary Theatre -- 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre -- 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion -- Index. Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Electronic books. Ruud, Ruud van. Print version: Corporaal, Marguérite A Stage of Emancipation Liverpool : Liverpool University Press,c2021 9781800859517 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6734878 Click to View |
language |
English |
format |
eBook |
author |
Corporaal, Marguérite. |
spellingShingle |
Corporaal, Marguérite. A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. Cover -- Contents -- Acknowledgements -- List of Illustrations -- List of Contributors -- 1. Introduction: A Stage of Emancipation -- Part I: Liberating Bodies -- 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) -- 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland -- Part II: Emancipating Communities -- 4. 'Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youth's the Season-? -- 5. Images and Imperatives: Robert Collis's Marrowbone Lane (1939) at the Gate as Theatre for Social Change -- 6. Authenticity and Social Change on the Stage in the 1970s: 'Communicating with the People' -- Part III: Staging Minority Languages -- 7. Micheál mac Liammóir, the Irish Language, and the Idea of Freedom -- 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure -- Part IV: Deconstructing Aesthetics -- 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre -- 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen -- Part V: Contesting Traditions in Contemporary Theatre -- 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre -- 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion -- Index. |
author_facet |
Corporaal, Marguérite. Ruud, Ruud van. |
author_variant |
m c mc |
author2 |
Ruud, Ruud van. |
author2_variant |
r v r rv rvr |
author2_role |
TeilnehmendeR |
author_sort |
Corporaal, Marguérite. |
title |
A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. |
title_sub |
Change and Progress at the Dublin Gate Theatre. |
title_full |
A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. |
title_fullStr |
A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. |
title_full_unstemmed |
A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. |
title_auth |
A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. |
title_new |
A Stage of Emancipation : |
title_sort |
a stage of emancipation : change and progress at the dublin gate theatre. |
publisher |
Liverpool University Press, |
publishDate |
2021 |
physical |
1 online resource (248 pages) |
edition |
1st ed. |
contents |
Cover -- Contents -- Acknowledgements -- List of Illustrations -- List of Contributors -- 1. Introduction: A Stage of Emancipation -- Part I: Liberating Bodies -- 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) -- 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland -- Part II: Emancipating Communities -- 4. 'Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youth's the Season-? -- 5. Images and Imperatives: Robert Collis's Marrowbone Lane (1939) at the Gate as Theatre for Social Change -- 6. Authenticity and Social Change on the Stage in the 1970s: 'Communicating with the People' -- Part III: Staging Minority Languages -- 7. Micheál mac Liammóir, the Irish Language, and the Idea of Freedom -- 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure -- Part IV: Deconstructing Aesthetics -- 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre -- 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen -- Part V: Contesting Traditions in Contemporary Theatre -- 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre -- 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion -- Index. |
isbn |
9781800858626 9781800859517 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6734878 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.0941835 |
dewey-sort |
3792.0941835 |
dewey-raw |
792.0941835 |
dewey-search |
792.0941835 |
oclc_num |
1249445535 |
work_keys_str_mv |
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status_str |
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ids_txt_mv |
(MiAaPQ)5006734878 (Au-PeEL)EBL6734878 (OCoLC)1249445535 |
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A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre. |
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Info : MARC8 translation shorter than ISO-8859-1, choosing MARC8. --- [ 856 : z ] |
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