A Stage of Emancipation : : Change and Progress at the Dublin Gate Theatre.
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Place / Publishing House: | Liverpool : : Liverpool University Press,, 2021. {copy}2021. |
Year of Publication: | 2021 |
Edition: | 1st ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (248 pages) |
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LEADER | 02905nam a22003853i 4500 | ||
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001 | 5006734878 | ||
003 | MiAaPQ | ||
005 | 20240229073844.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240229s2021 xx o ||||0 eng d | ||
020 | |a 9781800858626 |q (electronic bk.) | ||
020 | |z 9781800859517 | ||
035 | |a (MiAaPQ)5006734878 | ||
035 | |a (Au-PeEL)EBL6734878 | ||
035 | |a (OCoLC)1249445535 | ||
040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
082 | 0 | |a 792.0941835 | |
100 | 1 | |a Corporaal, Marguérite. | |
245 | 1 | 2 | |a A Stage of Emancipation : |b Change and Progress at the Dublin Gate Theatre. |
250 | |a 1st ed. | ||
264 | 1 | |a Liverpool : |b Liverpool University Press, |c 2021. | |
264 | 4 | |c {copy}2021. | |
300 | |a 1 online resource (248 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Cover -- Contents -- Acknowledgements -- List of Illustrations -- List of Contributors -- 1. Introduction: A Stage of Emancipation -- Part I: Liberating Bodies -- 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) -- 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland -- Part II: Emancipating Communities -- 4. 'Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youth's the Season-? -- 5. Images and Imperatives: Robert Collis's Marrowbone Lane (1939) at the Gate as Theatre for Social Change -- 6. Authenticity and Social Change on the Stage in the 1970s: 'Communicating with the People' -- Part III: Staging Minority Languages -- 7. Micheál mac Liammóir, the Irish Language, and the Idea of Freedom -- 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure -- Part IV: Deconstructing Aesthetics -- 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre -- 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen -- Part V: Contesting Traditions in Contemporary Theatre -- 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre -- 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion -- Index. | |
588 | |a Description based on publisher supplied metadata and other sources. | ||
590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
655 | 4 | |a Electronic books. | |
700 | 1 | |a Ruud, Ruud van. | |
776 | 0 | 8 | |i Print version: |a Corporaal, Marguérite |t A Stage of Emancipation |d Liverpool : Liverpool University Press,c2021 |z 9781800859517 |
797 | 2 | |a ProQuest (Firm) | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6734878 |z Click to View |