Towards a Digital Epistemology : : Aesthetics and Modes of Thought in Early Modernity and the Present Age.
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Place / Publishing House: | Cham : : Springer International Publishing AG,, 2021. ©2021. |
Year of Publication: | 2021 |
Edition: | 2nd ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (150 pages) |
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100 | 1 | |a Ingvarsson, Jonas. | |
245 | 1 | 0 | |a Towards a Digital Epistemology : |b Aesthetics and Modes of Thought in Early Modernity and the Present Age. |
250 | |a 2nd ed. | ||
264 | 1 | |a Cham : |b Springer International Publishing AG, |c 2021. | |
264 | 4 | |c ©2021. | |
300 | |a 1 online resource (150 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Intro -- Foreword -- The Digital Switch: From Causality to Relationships -- References -- Preface and Acknowledgments -- Contents -- List of Figures -- Chapter 1: Digital Epistemology: An Introduction -- 1.1 Digital/Analog -- 1.2 Liu/Lindhé/O'Gorman -- 1.3 Epistemology and Early Modern Modes of Thought -- 1.3.1 The Emblem -- 1.3.2 The Cabinets of Curiosity -- 1.3.3 Epistemology Engines and Recursive Historiography -- 1.4 Media Archaeology -- 1.5 The Book -- References -- Chapter 2: Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 2.1 The Past and the Contemporary -- 2.2 McLuhan, Media Archaeology and Historiography -- 2.3 Strategies and Juxtapositions -- 2.3.1 Salon Culture versus Social Media -- 2.3.2 The Principle of Pertinence and the Mosaic of McLuhan -- 2.3.3 Electronic Literature versus the Renaissance Emblem -- 2.4 Interface. Mosaic -- 2.5 Hegnhøj and Essvik. Materiality and Analog Nostalgia -- References -- Chapter 3: CCC versus WWW: Digital Epistemology and Literary Text -- 3.1 The Mechanical Hand -- 3.2 The Literary Text: Operation CCC -- 3.3 Postdigitality and Analog Nostalgia -- 3.4 Digital. Tactile. Cabinet -- 3.5 The Principle of Pertinence -- 3.6 Imri Sandström: Language and the Principle of Pertinence -- 3.7 Kunstkammer Poetics -- 3.8 Babbage. Again -- References -- Chapter 4: "Books Are Machines": Materiality and Agency from the 1960s to the 2010s -- 4.1 Digitization as a Lens -- 4.2 Digital History and Threats -- 4.3 Without Us: UKON -- 4.4 Ubiquitous Viruses -- 4.5 The Number of the Beast -- 4.6 Torsten Ekbom 1965 -- 4.7 Johannes Heldén 2010 -- 4.8 On Digital Humanities -- References -- Chapter 5: Towards a Twenty-First-Century Pedagogy for the Humanities -- 5.1 Introduction -- 5.2 The Two Cultures 2.0 -- 5.2.1 Counter-culture -- 5.2.2 Correspondence -- 5.3 Digital Expressions?. | |
505 | 8 | |a 5.3.1 Digital Practices -- 5.3.2 Digital-Born Works -- 5.4 From Mode of Expression to Mode of Thought -- 5.5 Media Archaeology, Digital Epistemology and Pedagogical Challenges -- 5.6 Conclusions and Challenges -- References -- Index. | |
588 | |a Description based on publisher supplied metadata and other sources. | ||
590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
655 | 4 | |a Electronic books. | |
776 | 0 | 8 | |i Print version: |a Ingvarsson, Jonas |t Towards a Digital Epistemology |d Cham : Springer International Publishing AG,c2021 |z 9783030787233 |
797 | 2 | |a ProQuest (Firm) | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6717895 |z Click to View |