Karawitan : : Source Readings in Javanese Gamelan and Vocal Music, Volume 1.

Karawitan : : Source Readings in Javanese Gamelan and Vocal Music, Volume 1.

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Bibliographic Details
Superior document:Michigan Papers on South and Southeast Asia Series ; v.1
:
Becker, Judith.
TeilnehmendeR:
Feinstein, Alan H.
Place / Publishing House:Ann Arbor : : University of Michigan, Center for South & Southeast Asian Studies,, 1984.
©1984.
Year of Publication:1984
Edition:1st ed.
Language:English
Series:Michigan Papers on South and Southeast Asia Series
Online Access:
Physical Description:1 online resource (343 pages)
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Table of Contents:
  • Intro
  • Series Page
  • Title Page
  • Copyright
  • Contents
  • Series
  • Preface
  • Judith Becker
  • Volume 1
  • Introduction
  • A Note From The Translator
  • Author's Forword
  • Catatan-Catatan Pengetahuan Karawitan
  • The System of Gendhing
  • Karawitan
  • The Contents of Karawitan
  • Irama
  • Lagu
  • The Names and Functions of Instruments in Karawitan
  • The Influence of Irama on Laqu and Cèngkok
  • The Influence of Lagu on Irama
  • Gendhing
  • The Names of Gendhing Forms
  • Sampak
  • Srepegan
  • Ayak-ayakan
  • Kemuda
  • Lancaran
  • Ketawang
  • Ladrang
  • Mérong
  • Inggah
  • Exceptional Forms
  • Structures (Komposisi) Found in Gendhing
  • Buka
  • Mérong
  • Ngelik
  • Umpak
  • Umpak Inggah
  • Umpak-umpakan
  • Inggah
  • Sesegan
  • Suwukan
  • Dados
  • Dhawah
  • Kalaienqaken
  • Kaseling
  • Examples of Types of Structures
  • The Sléndro and Péloq Tuning Systems
  • Laras Sléndro
  • Pathet
  • The Tones in Laras Sléndro
  • Gendèr Gedhé [and Its Relationship to Pathet]
  • The Number of Keys on the Gendèr Gedhé
  • Cèngkok as It Relates to Performance Practice
  • Gembyang and Kempyung in Gendèr Gedhé
  • The Range of Sèlèh
  • Pathet and the Range of Sèlèh on the Gendèr
  • The Range of Gembyang and Kempyung on the gendèr
  • The Strength of a Tone Based on Its Position
  • Mixing Pathet
  • Issues Related to Pathet
  • Padhang-ulihan
  • Padhang-ulihan as a Part of Gendhing
  • Padhang-ulihan Melodic Sentences in the Ketawang and Ladrang Forms
  • Padhang-ulihan Melodic Phrasing in the Méronq Form
  • The Direction of Tones
  • Cèngkok Mati ['Fixed Cèngkok']
  • Relative Strength in the Position of Tones
  • Analyzing a Gendhing
  • The Types of Balungan
  • Melodic Phrases
  • Pathet
  • The Direction of Tones and Performance Technique
  • Ladrang Grompol and Ladrang Mugi Rahayu, Laras Sléndro
  • Analysis of the Pathet in the Above Gendhing.
  • Analysis of the Performance Technique in the Above Gendhing
  • A Note About the Patterns of Cèngkok for Gendèr
  • Notes
  • Volume 2
  • Foreword
  • Catatan-Catatan Pengetahuan Karawitan
  • The Pélog Tuning System
  • Which is Older, Laras Pélog or Laras Sléndro?
  • Performance Practice (Garap) and Cènqkok on the Gendèr Gedhé
  • Gendèr Pélog Nem and Gendèr Pélog Barang
  • Pathet in Laras Pélog
  • Garap
  • Mode (Modus) in the pélog Tuning System
  • Fingering
  • Mode and Gendèr Cènqkok
  • Pathet Lima in the Theory of Gendhing
  • Pélog Pathet Nem in the Theory of Gendhing
  • Pélog Pathet Barang in the Theory of Gendhing
  • Tuning (Stem[m]ing)
  • Analyzing Pathet in Laras pélog Based on Tuning
  • The Order of Tones in the Pélog Pathet According to Various Theories
  • Gendhing in Surakarta
  • Sléndro Gendhing in Laras pélog
  • Changes in the Balungan of Gendhing
  • Pélog Pieces in Laras sléndro
  • Appendix I
  • Advice from R[adèn] M[as] Sahirjan
  • Appendix II
  • Appendix III
  • Creating or Composing Gendhing
  • Appendix IV
  • Minor
  • Appendix V
  • Barang Miring
  • Notes
  • Inner Melody
  • Saron Melody, Balungan, and Nuclear Theme
  • The Range and Motion of Gamelan Melody and how it is Played on the Instruments
  • Rebab
  • Gendèr Barung
  • Saron and Balungan
  • Saron Panerus (Saron Peking)
  • Bonang Barung
  • Gendhing bonang
  • Chapter III
  • Form and Melodic Phrases in Gendhing
  • Melodic Phrasing
  • Conclusion
  • Wedha Pradangga
  • Preface
  • The Cryptic Literature (Sastra Sinandi) Concealed in the Tones of the Gamelan
  • Concerning Character
  • To Join in Happiness and to Join in Sadness
  • Concerning Pathet
  • Gamelan and Wayang Kulit
  • Translator's Notes
  • Ichtisar Teori
  • Gamelan
  • Instruments of the Gamelan
  • Famous Gamelan
  • Instrumentation for Different Kinds of Gamelan
  • Laras
  • Intervals (Swarantara)
  • Tone Groupings (Nada-nada Kelompok).
  • Embat
  • Common Tones (Tumbuk)
  • The History of Sléndro and pélog
  • Baranq Miring
  • Pathet
  • Examples of Compositions in the Different Pathet
  • Examples of "Borrowed" Compositions
  • Titilaras
  • Irama
  • Dhing and Phong
  • Gendhing
  • The Formal Structures of Gendhing
  • General Guidelines about Gendhing
  • Kinds of Gendhing in Which a Particular Instrument Plays a Leading Role
  • Pieces with Special Functions
  • Pieces for Wayang Kulit
  • The Four Principles of Karawitan (Catur Prinsip Karawitan):
  • Ethics
  • Esthetics
  • Norms
  • Ideals
  • Translator's Notes
  • Faktor Penting
  • Introduction
  • Lagu
  • Cèngkok
  • Luk and Gregel
  • Wilet
  • Lagu, Player, and Listener
  • Reason for Making Cengkok and Wilet
  • Innovations
  • Tuning System
  • Pathet
  • Cèngkok
  • Irama, or Matra [Meter]
  • Instruments
  • Playing Style
  • Translator's Notes
  • Gendhing Jawa
  • Author's Note
  • Instruments of the Gamelan
  • The Study of the Refinements of Gendhing
  • Laras [Tuning]
  • Irama
  • Pathet
  • Gendhing
  • Vocal Pieces (Gendhing Lésan)
  • Instrumental Pieces (Gendhing Thuthuk)
  • Instrumental Pieces with a Vocal Part (Gendhinq Gamelan lan Lésan)
  • Vocal Pieces with Instrumental Accompaniment
  • More on Laras [Tuning]
  • More on Irama
  • More on Pathet
  • More on Gendhing
  • Balungan [Skeleton, or Framework]
  • Kenongan [Kenong Playing]
  • Kethukan [Kethuk Playing]
  • Kempulan ['Kempul Playing']
  • [The Playing of the] Kempyang
  • The Playing of the Gongs (Gong-gongan)
  • Notation for Some Gendhing
  • Small Gendhing [Gendhing Cilik]
  • Small Gendhing, Lancaran Kethuk Ngganter
  • Medium-sized Gendhing (Gendhing Sedheng)
  • Large Gendhing (Gendhing gedhé)
  • Notes
  • Serat Sulukan
  • Preface
  • Selections from Oral and Written Tests for the Student Dhalang
  • Explanation of Gendhing Krawitan
  • Sulukan in Laras Sléndro Pathet Nem.
  • Sulukan in Laras Sléndro Pathet Sanga
  • Additions: Songs Sung by the Panakawan in Pathet Sanga
  • Sulukan in Laras Sléndro Pathet Manyura
  • Laras Sléndro Pathet Nem
  • Additional Texts for the Sulukan
  • Laras Sléndro Pathet Sanga
  • Laras Sléndro Pathet Manyura
  • Selections from Oral and Written Tests for the Student Dhalang
  • Notes.

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