Karawitan : : Source Readings in Javanese Gamelan and Vocal Music, Volume 1.
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Superior document: | Michigan Papers on South and Southeast Asia Series ; v.1 |
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Place / Publishing House: | Ann Arbor : : University of Michigan, Center for South & Southeast Asian Studies,, 1984. ©1984. |
Year of Publication: | 1984 |
Edition: | 1st ed. |
Language: | English |
Series: | Michigan Papers on South and Southeast Asia Series
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Physical Description: | 1 online resource (343 pages) |
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Becker, Judith. Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. 1st ed. Ann Arbor : University of Michigan, Center for South & Southeast Asian Studies, 1984. ©1984. 1 online resource (343 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Michigan Papers on South and Southeast Asia Series ; v.1 Intro -- Series Page -- Title Page -- Copyright -- Contents -- Series -- Preface -- Judith Becker -- Volume 1 -- Introduction -- A Note From The Translator -- Author's Forword -- Catatan-Catatan Pengetahuan Karawitan -- The System of Gendhing -- Karawitan -- The Contents of Karawitan -- Irama -- Lagu -- The Names and Functions of Instruments in Karawitan -- The Influence of Irama on Laqu and Cèngkok -- The Influence of Lagu on Irama -- Gendhing -- The Names of Gendhing Forms -- Sampak -- Srepegan -- Ayak-ayakan -- Kemuda -- Lancaran -- Ketawang -- Ladrang -- Mérong -- Inggah -- Exceptional Forms -- Structures (Komposisi) Found in Gendhing -- Buka -- Mérong -- Ngelik -- Umpak -- Umpak Inggah -- Umpak-umpakan -- Inggah -- Sesegan -- Suwukan -- Dados -- Dhawah -- Kalaienqaken -- Kaseling -- Examples of Types of Structures -- The Sléndro and Péloq Tuning Systems -- Laras Sléndro -- Pathet -- The Tones in Laras Sléndro -- Gendèr Gedhé [and Its Relationship to Pathet] -- The Number of Keys on the Gendèr Gedhé -- Cèngkok as It Relates to Performance Practice -- Gembyang and Kempyung in Gendèr Gedhé -- The Range of Sèlèh -- Pathet and the Range of Sèlèh on the Gendèr -- The Range of Gembyang and Kempyung on the gendèr -- The Strength of a Tone Based on Its Position -- Mixing Pathet -- Issues Related to Pathet -- Padhang-ulihan -- Padhang-ulihan as a Part of Gendhing -- Padhang-ulihan Melodic Sentences in the Ketawang and Ladrang Forms -- Padhang-ulihan Melodic Phrasing in the Méronq Form -- The Direction of Tones -- Cèngkok Mati ['Fixed Cèngkok'] -- Relative Strength in the Position of Tones -- Analyzing a Gendhing -- The Types of Balungan -- Melodic Phrases -- Pathet -- The Direction of Tones and Performance Technique -- Ladrang Grompol and Ladrang Mugi Rahayu, Laras Sléndro -- Analysis of the Pathet in the Above Gendhing. Analysis of the Performance Technique in the Above Gendhing -- A Note About the Patterns of Cèngkok for Gendèr -- Notes -- Volume 2 -- Foreword -- Catatan-Catatan Pengetahuan Karawitan -- The Pélog Tuning System -- Which is Older, Laras Pélog or Laras Sléndro? -- Performance Practice (Garap) and Cènqkok on the Gendèr Gedhé -- Gendèr Pélog Nem and Gendèr Pélog Barang -- Pathet in Laras Pélog -- Garap -- Mode (Modus) in the pélog Tuning System -- Fingering -- Mode and Gendèr Cènqkok -- Pathet Lima in the Theory of Gendhing -- Pélog Pathet Nem in the Theory of Gendhing -- Pélog Pathet Barang in the Theory of Gendhing -- Tuning (Stem[m]ing) -- Analyzing Pathet in Laras pélog Based on Tuning -- The Order of Tones in the Pélog Pathet According to Various Theories -- Gendhing in Surakarta -- Sléndro Gendhing in Laras pélog -- Changes in the Balungan of Gendhing -- Pélog Pieces in Laras sléndro -- Appendix I -- Advice from R[adèn] M[as] Sahirjan -- Appendix II -- Appendix III -- Creating or Composing Gendhing -- Appendix IV -- Minor -- Appendix V -- Barang Miring -- Notes -- Inner Melody -- Saron Melody, Balungan, and Nuclear Theme -- The Range and Motion of Gamelan Melody and how it is Played on the Instruments -- Rebab -- Gendèr Barung -- Saron and Balungan -- Saron Panerus (Saron Peking) -- Bonang Barung -- Gendhing bonang -- Chapter III -- Form and Melodic Phrases in Gendhing -- Melodic Phrasing -- Conclusion -- Wedha Pradangga -- Preface -- The Cryptic Literature (Sastra Sinandi) Concealed in the Tones of the Gamelan -- Concerning Character -- To Join in Happiness and to Join in Sadness -- Concerning Pathet -- Gamelan and Wayang Kulit -- Translator's Notes -- Ichtisar Teori -- Gamelan -- Instruments of the Gamelan -- Famous Gamelan -- Instrumentation for Different Kinds of Gamelan -- Laras -- Intervals (Swarantara) -- Tone Groupings (Nada-nada Kelompok). Embat -- Common Tones (Tumbuk) -- The History of Sléndro and pélog -- Baranq Miring -- Pathet -- Examples of Compositions in the Different Pathet -- Examples of "Borrowed" Compositions -- Titilaras -- Irama -- Dhing and Phong -- Gendhing -- The Formal Structures of Gendhing -- General Guidelines about Gendhing -- Kinds of Gendhing in Which a Particular Instrument Plays a Leading Role -- Pieces with Special Functions -- Pieces for Wayang Kulit -- The Four Principles of Karawitan (Catur Prinsip Karawitan): -- Ethics -- Esthetics -- Norms -- Ideals -- Translator's Notes -- Faktor Penting -- Introduction -- Lagu -- Cèngkok -- Luk and Gregel -- Wilet -- Lagu, Player, and Listener -- Reason for Making Cengkok and Wilet -- Innovations -- Tuning System -- Pathet -- Cèngkok -- Irama, or Matra [Meter] -- Instruments -- Playing Style -- Translator's Notes -- Gendhing Jawa -- Author's Note -- Instruments of the Gamelan -- The Study of the Refinements of Gendhing -- Laras [Tuning] -- Irama -- Pathet -- Gendhing -- Vocal Pieces (Gendhing Lésan) -- Instrumental Pieces (Gendhing Thuthuk) -- Instrumental Pieces with a Vocal Part (Gendhinq Gamelan lan Lésan) -- Vocal Pieces with Instrumental Accompaniment -- More on Laras [Tuning] -- More on Irama -- More on Pathet -- More on Gendhing -- Balungan [Skeleton, or Framework] -- Kenongan [Kenong Playing] -- Kethukan [Kethuk Playing] -- Kempulan ['Kempul Playing'] -- [The Playing of the] Kempyang -- The Playing of the Gongs (Gong-gongan) -- Notation for Some Gendhing -- Small Gendhing [Gendhing Cilik] -- Small Gendhing, Lancaran Kethuk Ngganter -- Medium-sized Gendhing (Gendhing Sedheng) -- Large Gendhing (Gendhing gedhé) -- Notes -- Serat Sulukan -- Preface -- Selections from Oral and Written Tests for the Student Dhalang -- Explanation of Gendhing Krawitan -- Sulukan in Laras Sléndro Pathet Nem. Sulukan in Laras Sléndro Pathet Sanga -- Additions: Songs Sung by the Panakawan in Pathet Sanga -- Sulukan in Laras Sléndro Pathet Manyura -- Laras Sléndro Pathet Nem -- Additional Texts for the Sulukan -- Laras Sléndro Pathet Sanga -- Laras Sléndro Pathet Manyura -- Selections from Oral and Written Tests for the Student Dhalang -- Notes. Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Electronic books. Feinstein, Alan H. Print version: Becker, Judith Karawitan Ann Arbor : University of Michigan, Center for South & Southeast Asian Studies,c1984 9780891480273 ProQuest (Firm) Michigan Papers on South and Southeast Asia Series https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6716489 Click to View |
language |
English |
format |
eBook |
author |
Becker, Judith. |
spellingShingle |
Becker, Judith. Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. Michigan Papers on South and Southeast Asia Series ; Intro -- Series Page -- Title Page -- Copyright -- Contents -- Series -- Preface -- Judith Becker -- Volume 1 -- Introduction -- A Note From The Translator -- Author's Forword -- Catatan-Catatan Pengetahuan Karawitan -- The System of Gendhing -- Karawitan -- The Contents of Karawitan -- Irama -- Lagu -- The Names and Functions of Instruments in Karawitan -- The Influence of Irama on Laqu and Cèngkok -- The Influence of Lagu on Irama -- Gendhing -- The Names of Gendhing Forms -- Sampak -- Srepegan -- Ayak-ayakan -- Kemuda -- Lancaran -- Ketawang -- Ladrang -- Mérong -- Inggah -- Exceptional Forms -- Structures (Komposisi) Found in Gendhing -- Buka -- Mérong -- Ngelik -- Umpak -- Umpak Inggah -- Umpak-umpakan -- Inggah -- Sesegan -- Suwukan -- Dados -- Dhawah -- Kalaienqaken -- Kaseling -- Examples of Types of Structures -- The Sléndro and Péloq Tuning Systems -- Laras Sléndro -- Pathet -- The Tones in Laras Sléndro -- Gendèr Gedhé [and Its Relationship to Pathet] -- The Number of Keys on the Gendèr Gedhé -- Cèngkok as It Relates to Performance Practice -- Gembyang and Kempyung in Gendèr Gedhé -- The Range of Sèlèh -- Pathet and the Range of Sèlèh on the Gendèr -- The Range of Gembyang and Kempyung on the gendèr -- The Strength of a Tone Based on Its Position -- Mixing Pathet -- Issues Related to Pathet -- Padhang-ulihan -- Padhang-ulihan as a Part of Gendhing -- Padhang-ulihan Melodic Sentences in the Ketawang and Ladrang Forms -- Padhang-ulihan Melodic Phrasing in the Méronq Form -- The Direction of Tones -- Cèngkok Mati ['Fixed Cèngkok'] -- Relative Strength in the Position of Tones -- Analyzing a Gendhing -- The Types of Balungan -- Melodic Phrases -- Pathet -- The Direction of Tones and Performance Technique -- Ladrang Grompol and Ladrang Mugi Rahayu, Laras Sléndro -- Analysis of the Pathet in the Above Gendhing. Analysis of the Performance Technique in the Above Gendhing -- A Note About the Patterns of Cèngkok for Gendèr -- Notes -- Volume 2 -- Foreword -- Catatan-Catatan Pengetahuan Karawitan -- The Pélog Tuning System -- Which is Older, Laras Pélog or Laras Sléndro? -- Performance Practice (Garap) and Cènqkok on the Gendèr Gedhé -- Gendèr Pélog Nem and Gendèr Pélog Barang -- Pathet in Laras Pélog -- Garap -- Mode (Modus) in the pélog Tuning System -- Fingering -- Mode and Gendèr Cènqkok -- Pathet Lima in the Theory of Gendhing -- Pélog Pathet Nem in the Theory of Gendhing -- Pélog Pathet Barang in the Theory of Gendhing -- Tuning (Stem[m]ing) -- Analyzing Pathet in Laras pélog Based on Tuning -- The Order of Tones in the Pélog Pathet According to Various Theories -- Gendhing in Surakarta -- Sléndro Gendhing in Laras pélog -- Changes in the Balungan of Gendhing -- Pélog Pieces in Laras sléndro -- Appendix I -- Advice from R[adèn] M[as] Sahirjan -- Appendix II -- Appendix III -- Creating or Composing Gendhing -- Appendix IV -- Minor -- Appendix V -- Barang Miring -- Notes -- Inner Melody -- Saron Melody, Balungan, and Nuclear Theme -- The Range and Motion of Gamelan Melody and how it is Played on the Instruments -- Rebab -- Gendèr Barung -- Saron and Balungan -- Saron Panerus (Saron Peking) -- Bonang Barung -- Gendhing bonang -- Chapter III -- Form and Melodic Phrases in Gendhing -- Melodic Phrasing -- Conclusion -- Wedha Pradangga -- Preface -- The Cryptic Literature (Sastra Sinandi) Concealed in the Tones of the Gamelan -- Concerning Character -- To Join in Happiness and to Join in Sadness -- Concerning Pathet -- Gamelan and Wayang Kulit -- Translator's Notes -- Ichtisar Teori -- Gamelan -- Instruments of the Gamelan -- Famous Gamelan -- Instrumentation for Different Kinds of Gamelan -- Laras -- Intervals (Swarantara) -- Tone Groupings (Nada-nada Kelompok). Embat -- Common Tones (Tumbuk) -- The History of Sléndro and pélog -- Baranq Miring -- Pathet -- Examples of Compositions in the Different Pathet -- Examples of "Borrowed" Compositions -- Titilaras -- Irama -- Dhing and Phong -- Gendhing -- The Formal Structures of Gendhing -- General Guidelines about Gendhing -- Kinds of Gendhing in Which a Particular Instrument Plays a Leading Role -- Pieces with Special Functions -- Pieces for Wayang Kulit -- The Four Principles of Karawitan (Catur Prinsip Karawitan): -- Ethics -- Esthetics -- Norms -- Ideals -- Translator's Notes -- Faktor Penting -- Introduction -- Lagu -- Cèngkok -- Luk and Gregel -- Wilet -- Lagu, Player, and Listener -- Reason for Making Cengkok and Wilet -- Innovations -- Tuning System -- Pathet -- Cèngkok -- Irama, or Matra [Meter] -- Instruments -- Playing Style -- Translator's Notes -- Gendhing Jawa -- Author's Note -- Instruments of the Gamelan -- The Study of the Refinements of Gendhing -- Laras [Tuning] -- Irama -- Pathet -- Gendhing -- Vocal Pieces (Gendhing Lésan) -- Instrumental Pieces (Gendhing Thuthuk) -- Instrumental Pieces with a Vocal Part (Gendhinq Gamelan lan Lésan) -- Vocal Pieces with Instrumental Accompaniment -- More on Laras [Tuning] -- More on Irama -- More on Pathet -- More on Gendhing -- Balungan [Skeleton, or Framework] -- Kenongan [Kenong Playing] -- Kethukan [Kethuk Playing] -- Kempulan ['Kempul Playing'] -- [The Playing of the] Kempyang -- The Playing of the Gongs (Gong-gongan) -- Notation for Some Gendhing -- Small Gendhing [Gendhing Cilik] -- Small Gendhing, Lancaran Kethuk Ngganter -- Medium-sized Gendhing (Gendhing Sedheng) -- Large Gendhing (Gendhing gedhé) -- Notes -- Serat Sulukan -- Preface -- Selections from Oral and Written Tests for the Student Dhalang -- Explanation of Gendhing Krawitan -- Sulukan in Laras Sléndro Pathet Nem. Sulukan in Laras Sléndro Pathet Sanga -- Additions: Songs Sung by the Panakawan in Pathet Sanga -- Sulukan in Laras Sléndro Pathet Manyura -- Laras Sléndro Pathet Nem -- Additional Texts for the Sulukan -- Laras Sléndro Pathet Sanga -- Laras Sléndro Pathet Manyura -- Selections from Oral and Written Tests for the Student Dhalang -- Notes. |
author_facet |
Becker, Judith. Feinstein, Alan H. |
author_variant |
j b jb |
author2 |
Feinstein, Alan H. |
author2_variant |
a h f ah ahf |
author2_role |
TeilnehmendeR |
author_sort |
Becker, Judith. |
title |
Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. |
title_sub |
Source Readings in Javanese Gamelan and Vocal Music, Volume 1. |
title_full |
Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. |
title_fullStr |
Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. |
title_full_unstemmed |
Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. |
title_auth |
Karawitan : Source Readings in Javanese Gamelan and Vocal Music, Volume 1. |
title_new |
Karawitan : |
title_sort |
karawitan : source readings in javanese gamelan and vocal music, volume 1. |
series |
Michigan Papers on South and Southeast Asia Series ; |
series2 |
Michigan Papers on South and Southeast Asia Series ; |
publisher |
University of Michigan, Center for South & Southeast Asian Studies, |
publishDate |
1984 |
physical |
1 online resource (343 pages) |
edition |
1st ed. |
contents |
Intro -- Series Page -- Title Page -- Copyright -- Contents -- Series -- Preface -- Judith Becker -- Volume 1 -- Introduction -- A Note From The Translator -- Author's Forword -- Catatan-Catatan Pengetahuan Karawitan -- The System of Gendhing -- Karawitan -- The Contents of Karawitan -- Irama -- Lagu -- The Names and Functions of Instruments in Karawitan -- The Influence of Irama on Laqu and Cèngkok -- The Influence of Lagu on Irama -- Gendhing -- The Names of Gendhing Forms -- Sampak -- Srepegan -- Ayak-ayakan -- Kemuda -- Lancaran -- Ketawang -- Ladrang -- Mérong -- Inggah -- Exceptional Forms -- Structures (Komposisi) Found in Gendhing -- Buka -- Mérong -- Ngelik -- Umpak -- Umpak Inggah -- Umpak-umpakan -- Inggah -- Sesegan -- Suwukan -- Dados -- Dhawah -- Kalaienqaken -- Kaseling -- Examples of Types of Structures -- The Sléndro and Péloq Tuning Systems -- Laras Sléndro -- Pathet -- The Tones in Laras Sléndro -- Gendèr Gedhé [and Its Relationship to Pathet] -- The Number of Keys on the Gendèr Gedhé -- Cèngkok as It Relates to Performance Practice -- Gembyang and Kempyung in Gendèr Gedhé -- The Range of Sèlèh -- Pathet and the Range of Sèlèh on the Gendèr -- The Range of Gembyang and Kempyung on the gendèr -- The Strength of a Tone Based on Its Position -- Mixing Pathet -- Issues Related to Pathet -- Padhang-ulihan -- Padhang-ulihan as a Part of Gendhing -- Padhang-ulihan Melodic Sentences in the Ketawang and Ladrang Forms -- Padhang-ulihan Melodic Phrasing in the Méronq Form -- The Direction of Tones -- Cèngkok Mati ['Fixed Cèngkok'] -- Relative Strength in the Position of Tones -- Analyzing a Gendhing -- The Types of Balungan -- Melodic Phrases -- Pathet -- The Direction of Tones and Performance Technique -- Ladrang Grompol and Ladrang Mugi Rahayu, Laras Sléndro -- Analysis of the Pathet in the Above Gendhing. Analysis of the Performance Technique in the Above Gendhing -- A Note About the Patterns of Cèngkok for Gendèr -- Notes -- Volume 2 -- Foreword -- Catatan-Catatan Pengetahuan Karawitan -- The Pélog Tuning System -- Which is Older, Laras Pélog or Laras Sléndro? -- Performance Practice (Garap) and Cènqkok on the Gendèr Gedhé -- Gendèr Pélog Nem and Gendèr Pélog Barang -- Pathet in Laras Pélog -- Garap -- Mode (Modus) in the pélog Tuning System -- Fingering -- Mode and Gendèr Cènqkok -- Pathet Lima in the Theory of Gendhing -- Pélog Pathet Nem in the Theory of Gendhing -- Pélog Pathet Barang in the Theory of Gendhing -- Tuning (Stem[m]ing) -- Analyzing Pathet in Laras pélog Based on Tuning -- The Order of Tones in the Pélog Pathet According to Various Theories -- Gendhing in Surakarta -- Sléndro Gendhing in Laras pélog -- Changes in the Balungan of Gendhing -- Pélog Pieces in Laras sléndro -- Appendix I -- Advice from R[adèn] M[as] Sahirjan -- Appendix II -- Appendix III -- Creating or Composing Gendhing -- Appendix IV -- Minor -- Appendix V -- Barang Miring -- Notes -- Inner Melody -- Saron Melody, Balungan, and Nuclear Theme -- The Range and Motion of Gamelan Melody and how it is Played on the Instruments -- Rebab -- Gendèr Barung -- Saron and Balungan -- Saron Panerus (Saron Peking) -- Bonang Barung -- Gendhing bonang -- Chapter III -- Form and Melodic Phrases in Gendhing -- Melodic Phrasing -- Conclusion -- Wedha Pradangga -- Preface -- The Cryptic Literature (Sastra Sinandi) Concealed in the Tones of the Gamelan -- Concerning Character -- To Join in Happiness and to Join in Sadness -- Concerning Pathet -- Gamelan and Wayang Kulit -- Translator's Notes -- Ichtisar Teori -- Gamelan -- Instruments of the Gamelan -- Famous Gamelan -- Instrumentation for Different Kinds of Gamelan -- Laras -- Intervals (Swarantara) -- Tone Groupings (Nada-nada Kelompok). Embat -- Common Tones (Tumbuk) -- The History of Sléndro and pélog -- Baranq Miring -- Pathet -- Examples of Compositions in the Different Pathet -- Examples of "Borrowed" Compositions -- Titilaras -- Irama -- Dhing and Phong -- Gendhing -- The Formal Structures of Gendhing -- General Guidelines about Gendhing -- Kinds of Gendhing in Which a Particular Instrument Plays a Leading Role -- Pieces with Special Functions -- Pieces for Wayang Kulit -- The Four Principles of Karawitan (Catur Prinsip Karawitan): -- Ethics -- Esthetics -- Norms -- Ideals -- Translator's Notes -- Faktor Penting -- Introduction -- Lagu -- Cèngkok -- Luk and Gregel -- Wilet -- Lagu, Player, and Listener -- Reason for Making Cengkok and Wilet -- Innovations -- Tuning System -- Pathet -- Cèngkok -- Irama, or Matra [Meter] -- Instruments -- Playing Style -- Translator's Notes -- Gendhing Jawa -- Author's Note -- Instruments of the Gamelan -- The Study of the Refinements of Gendhing -- Laras [Tuning] -- Irama -- Pathet -- Gendhing -- Vocal Pieces (Gendhing Lésan) -- Instrumental Pieces (Gendhing Thuthuk) -- Instrumental Pieces with a Vocal Part (Gendhinq Gamelan lan Lésan) -- Vocal Pieces with Instrumental Accompaniment -- More on Laras [Tuning] -- More on Irama -- More on Pathet -- More on Gendhing -- Balungan [Skeleton, or Framework] -- Kenongan [Kenong Playing] -- Kethukan [Kethuk Playing] -- Kempulan ['Kempul Playing'] -- [The Playing of the] Kempyang -- The Playing of the Gongs (Gong-gongan) -- Notation for Some Gendhing -- Small Gendhing [Gendhing Cilik] -- Small Gendhing, Lancaran Kethuk Ngganter -- Medium-sized Gendhing (Gendhing Sedheng) -- Large Gendhing (Gendhing gedhé) -- Notes -- Serat Sulukan -- Preface -- Selections from Oral and Written Tests for the Student Dhalang -- Explanation of Gendhing Krawitan -- Sulukan in Laras Sléndro Pathet Nem. Sulukan in Laras Sléndro Pathet Sanga -- Additions: Songs Sung by the Panakawan in Pathet Sanga -- Sulukan in Laras Sléndro Pathet Manyura -- Laras Sléndro Pathet Nem -- Additional Texts for the Sulukan -- Laras Sléndro Pathet Sanga -- Laras Sléndro Pathet Manyura -- Selections from Oral and Written Tests for the Student Dhalang -- Notes. |
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9780472901647 9780891480273 |
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Electronic books. |
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Electronic books. |
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https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6716489 |
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Not Illustrated |
oclc_num |
1272996455 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07728nam a22004333i 4500</leader><controlfield tag="001">5006716489</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20240229073843.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">240229s1984 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472901647</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780891480273</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)5006716489</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL6716489</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1272996455</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Becker, Judith.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Karawitan :</subfield><subfield code="b">Source Readings in Javanese Gamelan and Vocal Music, Volume 1.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor :</subfield><subfield code="b">University of Michigan, Center for South & Southeast Asian Studies,</subfield><subfield code="c">1984.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1984.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (343 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Michigan Papers on South and Southeast Asia Series ;</subfield><subfield code="v">v.1</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- Series Page -- Title Page -- Copyright -- Contents -- Series -- Preface -- Judith Becker -- Volume 1 -- Introduction -- A Note From The Translator -- Author's Forword -- Catatan-Catatan Pengetahuan Karawitan -- The System of Gendhing -- Karawitan -- The Contents of Karawitan -- Irama -- Lagu -- The Names and Functions of Instruments in Karawitan -- The Influence of Irama on Laqu and Cèngkok -- The Influence of Lagu on Irama -- Gendhing -- The Names of Gendhing Forms -- Sampak -- Srepegan -- Ayak-ayakan -- Kemuda -- Lancaran -- Ketawang -- Ladrang -- Mérong -- Inggah -- Exceptional Forms -- Structures (Komposisi) Found in Gendhing -- Buka -- Mérong -- Ngelik -- Umpak -- Umpak Inggah -- Umpak-umpakan -- Inggah -- Sesegan -- Suwukan -- Dados -- Dhawah -- Kalaienqaken -- Kaseling -- Examples of Types of Structures -- The Sléndro and Péloq Tuning Systems -- Laras Sléndro -- Pathet -- The Tones in Laras Sléndro -- Gendèr Gedhé [and Its Relationship to Pathet] -- The Number of Keys on the Gendèr Gedhé -- Cèngkok as It Relates to Performance Practice -- Gembyang and Kempyung in Gendèr Gedhé -- The Range of Sèlèh -- Pathet and the Range of Sèlèh on the Gendèr -- The Range of Gembyang and Kempyung on the gendèr -- The Strength of a Tone Based on Its Position -- Mixing Pathet -- Issues Related to Pathet -- Padhang-ulihan -- Padhang-ulihan as a Part of Gendhing -- Padhang-ulihan Melodic Sentences in the Ketawang and Ladrang Forms -- Padhang-ulihan Melodic Phrasing in the Méronq Form -- The Direction of Tones -- Cèngkok Mati ['Fixed Cèngkok'] -- Relative Strength in the Position of Tones -- Analyzing a Gendhing -- The Types of Balungan -- Melodic Phrases -- Pathet -- The Direction of Tones and Performance Technique -- Ladrang Grompol and Ladrang Mugi Rahayu, Laras Sléndro -- Analysis of the Pathet in the Above Gendhing.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Analysis of the Performance Technique in the Above Gendhing -- A Note About the Patterns of Cèngkok for Gendèr -- Notes -- Volume 2 -- Foreword -- Catatan-Catatan Pengetahuan Karawitan -- The Pélog Tuning System -- Which is Older, Laras Pélog or Laras Sléndro? -- Performance Practice (Garap) and Cènqkok on the Gendèr Gedhé -- Gendèr Pélog Nem and Gendèr Pélog Barang -- Pathet in Laras Pélog -- Garap -- Mode (Modus) in the pélog Tuning System -- Fingering -- Mode and Gendèr Cènqkok -- Pathet Lima in the Theory of Gendhing -- Pélog Pathet Nem in the Theory of Gendhing -- Pélog Pathet Barang in the Theory of Gendhing -- Tuning (Stem[m]ing) -- Analyzing Pathet in Laras pélog Based on Tuning -- The Order of Tones in the Pélog Pathet According to Various Theories -- Gendhing in Surakarta -- Sléndro Gendhing in Laras pélog -- Changes in the Balungan of Gendhing -- Pélog Pieces in Laras sléndro -- Appendix I -- Advice from R[adèn] M[as] Sahirjan -- Appendix II -- Appendix III -- Creating or Composing Gendhing -- Appendix IV -- Minor -- Appendix V -- Barang Miring -- Notes -- Inner Melody -- Saron Melody, Balungan, and Nuclear Theme -- The Range and Motion of Gamelan Melody and how it is Played on the Instruments -- Rebab -- Gendèr Barung -- Saron and Balungan -- Saron Panerus (Saron Peking) -- Bonang Barung -- Gendhing bonang -- Chapter III -- Form and Melodic Phrases in Gendhing -- Melodic Phrasing -- Conclusion -- Wedha Pradangga -- Preface -- The Cryptic Literature (Sastra Sinandi) Concealed in the Tones of the Gamelan -- Concerning Character -- To Join in Happiness and to Join in Sadness -- Concerning Pathet -- Gamelan and Wayang Kulit -- Translator's Notes -- Ichtisar Teori -- Gamelan -- Instruments of the Gamelan -- Famous Gamelan -- Instrumentation for Different Kinds of Gamelan -- Laras -- Intervals (Swarantara) -- Tone Groupings (Nada-nada Kelompok).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Embat -- Common Tones (Tumbuk) -- The History of Sléndro and pélog -- Baranq Miring -- Pathet -- Examples of Compositions in the Different Pathet -- Examples of "Borrowed" Compositions -- Titilaras -- Irama -- Dhing and Phong -- Gendhing -- The Formal Structures of Gendhing -- General Guidelines about Gendhing -- Kinds of Gendhing in Which a Particular Instrument Plays a Leading Role -- Pieces with Special Functions -- Pieces for Wayang Kulit -- The Four Principles of Karawitan (Catur Prinsip Karawitan): -- Ethics -- Esthetics -- Norms -- Ideals -- Translator's Notes -- Faktor Penting -- Introduction -- Lagu -- Cèngkok -- Luk and Gregel -- Wilet -- Lagu, Player, and Listener -- Reason for Making Cengkok and Wilet -- Innovations -- Tuning System -- Pathet -- Cèngkok -- Irama, or Matra [Meter] -- Instruments -- Playing Style -- Translator's Notes -- Gendhing Jawa -- Author's Note -- Instruments of the Gamelan -- The Study of the Refinements of Gendhing -- Laras [Tuning] -- Irama -- Pathet -- Gendhing -- Vocal Pieces (Gendhing Lésan) -- Instrumental Pieces (Gendhing Thuthuk) -- Instrumental Pieces with a Vocal Part (Gendhinq Gamelan lan Lésan) -- Vocal Pieces with Instrumental Accompaniment -- More on Laras [Tuning] -- More on Irama -- More on Pathet -- More on Gendhing -- Balungan [Skeleton, or Framework] -- Kenongan [Kenong Playing] -- Kethukan [Kethuk Playing] -- Kempulan ['Kempul Playing'] -- [The Playing of the] Kempyang -- The Playing of the Gongs (Gong-gongan) -- Notation for Some Gendhing -- Small Gendhing [Gendhing Cilik] -- Small Gendhing, Lancaran Kethuk Ngganter -- Medium-sized Gendhing (Gendhing Sedheng) -- Large Gendhing (Gendhing gedhé) -- Notes -- Serat Sulukan -- Preface -- Selections from Oral and Written Tests for the Student Dhalang -- Explanation of Gendhing Krawitan -- Sulukan in Laras Sléndro Pathet Nem.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Sulukan in Laras Sléndro Pathet Sanga -- Additions: Songs Sung by the Panakawan in Pathet Sanga -- Sulukan in Laras Sléndro Pathet Manyura -- Laras Sléndro Pathet Nem -- Additional Texts for the Sulukan -- Laras Sléndro Pathet Sanga -- Laras Sléndro Pathet Manyura -- Selections from Oral and Written Tests for the Student Dhalang -- Notes.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="590" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. </subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Feinstein, Alan H.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Becker, Judith</subfield><subfield code="t">Karawitan</subfield><subfield code="d">Ann Arbor : University of Michigan, Center for South & Southeast Asian Studies,c1984</subfield><subfield code="z">9780891480273</subfield></datafield><datafield tag="797" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Michigan Papers on South and Southeast Asia Series</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6716489</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |