Post-Digital, Post-Internet Art and Education : : The Future Is All-Over.

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Bibliographic Details
Superior document:Palgrave Studies in Educational Futures Series
:
TeilnehmendeR:
Place / Publishing House:Cham : : Springer International Publishing AG,, 2021.
©2021.
Year of Publication:2021
Edition:1st ed.
Language:English
Series:Palgrave Studies in Educational Futures Series
Online Access:
Physical Description:1 online resource (315 pages)
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Table of Contents:
  • Intro
  • Acknowledgments
  • Praise for Post-Digital, Post-Internet Art and Education
  • Contents
  • Notes on Contributors
  • List of Figures
  • 1 Introduction: It's All Over! Post-digital, Post-internet Art and Education
  • Why This Book Now?
  • The Diversity of Posts
  • The Old and New: Theories and Configurations
  • Pedagogical Observations, Suggestions, and Teaching Practices
  • About This Book
  • References
  • Part I How did we get Here: Historical, Theoretical, Critical, and Future Oriented Perspectives on Post-Digital, Post-Internet Art and Education
  • 2 Post-digital, Post-internet: Propositions for Art Education in the Context of Digital Cultures
  • Introduction
  • Digital Cultures
  • Post-Digital &amp
  • Post-Internet: A Brief Introduction
  • Post-Digital
  • Post-Internet
  • Post-Digital &amp
  • Post-Internet: Attempts to Understand the Present
  • Aesthetics and Technological Infrastructures
  • Distributed Artworks
  • Hybrid Subjects
  • Fluid Materiality
  • Digital Imaginaries
  • Summary
  • References
  • 3 Post-Internet Art and Pre-Internet Art Education
  • Art on, Through, About, and in the Internet
  • Art Education and Network Topologies
  • Post-Internet Art and Pre-Internet Art Education
  • References
  • 4 A Meditation on the Post-digital and Post-internet Condition: Screen Culture, Digitalization, and Networked Art
  • Post-digital and Post-internet Condition
  • Cybernetic Consciousness
  • Where to Now?
  • Networked Digital Images
  • References
  • 5 Bodies of Images: Art Education After the Internet
  • The Postdigital Condition
  • The Image as Dominating Cultural Entity
  • Diffusion Processes and Virals
  • Habits and Modes of Reception
  • Object Orientation: Networks and Image Objects
  • Bodies of Images
  • Meme Theory: Image Complexes
  • Relational Entities and Doing Images
  • Conclusions: Understanding Image Complexes
  • References.
  • 6 Post Scripts in the Present Future: Conjuring the Post-conditions of Digital Objects
  • Conjuring This Moment of Post-conditions
  • Per(form)ing the Matter of Digital Objects
  • Conclusion
  • References
  • Part II Why is This Important for Art Education? Transdisciplinary Networks, Research, and Subjectivities of the Post-Digital and Post Internet
  • 7 Educating the Commons and Commoning Education: Thinking Radical Education with Radical Technology
  • Introduction
  • Situating Ourselves
  • Converging Histories
  • What Do We Mean by Commons?
  • Re-appropriating the Commons
  • References
  • 8 A New Sujet/Subject for Art Education
  • The Network Sujet
  • Knots
  • Quasi-Subjects
  • Quasi-Objects
  • What to Do?
  • References
  • 9 New Intimates
  • Physical Anonymity/Virtual Intimacy
  • Digital Intimacy Through Contemporary Art
  • Intimate Bodies Online
  • Live and Lively Absence
  • Digital Intimacies in Art Education
  • New Intimates
  • References
  • 10 Notes on Corpoliteracy: Bodies in Post-digital Educational Contexts
  • Introduction
  • Corpoliteracy and Corpoepistemology
  • How Can Bodies Be Read in the Context of Education?
  • Body Knowledge vs. Body Ability
  • How to Read Learning Bodies?
  • To Practice Something for the Future: Strategies of Pre-enactment5
  • Addendum: #TalkingHeads: An Update on the Learning Body
  • #talkingheads
  • #platforms9
  • #heyhost
  • #privacy
  • #simultaneity
  • A Digital Corpoliteracy?
  • References
  • 11 Aesthetic Practice as Critique: The Suspension of Judgment and the Invention of New Possibilities of Perception, Thinking, and Action
  • Critique as the Practice of Analyzing Limitations of Perception and Thought and the Possibility of Transgressing Them
  • Apparatuses: Subjectivation and Agency from a Media-Ecological Perspective
  • Aesthetic Apparatuses of Critical Practice.
  • An Example: Ryan Trecartin's "Re'Search Wait'S"
  • Conclusion
  • References
  • 12 What Is the Poor Image Rich in?
  • In Defense of the Poor Image
  • What Is a Poor Image (Today)?
  • What Do Poor Images Want (to Be)?
  • @Poorimagearteducation-From Pictorial Poorness to Pedagogical Richness
  • The Poor Image in Motion-Art Education
  • References
  • Part III How can we Create Educational Futures? Classroom and Pedagogical Practices Examples of Post-Digital and Post-Internet Art Education
  • 13 Educating Things: Art Education Beyond the Individual in the Post-Digital
  • Subjectivity In The Post-digital
  • Looking on Co-workers. Network as Artist
  • First Level: The Structures
  • Second Level: The Artworks
  • Third Level: The Title
  • Network as Subject
  • References
  • 14 Toward an Anti-Racist and Anti-Colonial Post-Internet Curriculum in Digital Art Education
  • The Problem of Mainstream Post-Internet Art
  • Reflections on Digital Art Curriculum Development
  • Decentering the Art and Technology Canon
  • Anti-Racist and Anti-Colonial Decentering in Tabita Rezaire's Artist Practice
  • Conclusion
  • References
  • 15 Embracing Doubt: Teaching in a Post-digital Age
  • Unknowingness
  • Experiments in Social Media
  • Disturbances
  • Pedagogics
  • References
  • 16 Creative Coding as Compost(ing)
  • Introduction
  • Feminist Approaches of the Post-Digital
  • Digital Compost
  • Humus
  • Care
  • Waste
  • Going Further
  • References
  • 17 Post-internet Verfremdung
  • Prologue
  • Introduction
  • Instagram as an Arena for Artistic Exploration
  • Verfremdungseffekt and the Theatre
  • The Concept of Verfremdung
  • From Representation to Commentary
  • Conclusions
  • Create Fiction on Instagram
  • References
  • Index.