Boredom, Shanzhai, and Digitisation in the Time of Creative China.

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Bibliographic Details
Superior document:Asian Visual Cultures Series ; v.4
:
TeilnehmendeR:
Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2019.
Ã2019.
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Asian Visual Cultures Series
Online Access:
Physical Description:1 online resource (320 pages)
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Table of Contents:
  • Intro
  • Table of Contents
  • Acknowledgments
  • I. Introduction: We Must Create?
  • II. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity
  • Essays
  • 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective
  • 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge
  • Interlocuting
  • 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism
  • 1.4 Boredom and Creativity in the Era of Accelerated Living
  • Notes from the Field
  • 1.5 Evaporating Ennui Water Calligraphy in Beijing
  • 1.6 Male Cinderella on the Small Screen in mainland China
  • In Dialogue
  • 1.7 'Performativity' in the Age of Banality
  • Essays
  • 2.1 New Productive Culture Shanzhai or Second Degree of Creation?
  • 2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen'
  • 2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective
  • Interlocuting
  • 2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products
  • 2.5 Shanzhai = Creativity, Creativity = Shanzhai
  • Notes from the Field
  • 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education
  • 2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners?
  • In Dialogue
  • 2.8 Two sides of SZ (Shanzhai &amp
  • amp
  • Shenzhen)
  • Essay
  • 3.1 Creativity, Affordances, and Chinese Traditional Culture
  • Interlocuting
  • 3.2 Digital Payment, Vernacular Creativity, and Governmentality
  • 3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products
  • Notes from the Field
  • 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails
  • 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016.
  • In Dialogue
  • 3.6 Digitisation with (in/out) Borders
  • Index.