Boredom, Shanzhai, and Digitisation in the Time of Creative China.

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Bibliographic Details
Superior document:Asian Visual Cultures Series ; v.4
:
TeilnehmendeR:
Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2019.
Ã2019.
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Asian Visual Cultures Series
Online Access:
Physical Description:1 online resource (320 pages)
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100 1 |a de Kloet, Jeroen. 
245 1 0 |a Boredom, Shanzhai, and Digitisation in the Time of Creative China. 
250 |a 1st ed. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2019. 
264 4 |c Ã2019. 
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490 1 |a Asian Visual Cultures Series ;  |v v.4 
505 0 |a Intro -- Table of Contents -- Acknowledgments -- I. Introduction: We Must Create? -- II. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity -- Essays -- 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective -- 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge -- Interlocuting -- 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism -- 1.4 Boredom and Creativity in the Era of Accelerated Living -- Notes from the Field -- 1.5 Evaporating Ennui Water Calligraphy in Beijing -- 1.6 Male Cinderella on the Small Screen in mainland China -- In Dialogue -- 1.7 'Performativity' in the Age of Banality -- Essays -- 2.1 New Productive Culture Shanzhai or Second Degree of Creation? -- 2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen' -- 2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective -- Interlocuting -- 2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products -- 2.5 Shanzhai = Creativity, Creativity = Shanzhai -- Notes from the Field -- 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education -- 2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners? -- In Dialogue -- 2.8 Two sides of SZ (Shanzhai &amp -- amp -- Shenzhen) -- Essay -- 3.1 Creativity, Affordances, and Chinese Traditional Culture -- Interlocuting -- 3.2 Digital Payment, Vernacular Creativity, and Governmentality -- 3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products -- Notes from the Field -- 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails -- 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016. 
505 8 |a In Dialogue -- 3.6 Digitisation with (in/out) Borders -- Index. 
588 |a Description based on publisher supplied metadata and other sources. 
590 |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.  
655 4 |a Electronic books. 
700 1 |a Chow, Yiu Fai. 
700 1 |a Scheen, Lena. 
776 0 8 |i Print version:  |a de Kloet, Jeroen  |t Boredom, Shanzhai, and Digitisation in the Time of Creative China  |d Amsterdam : Amsterdam University Press,c2019 
797 2 |a ProQuest (Firm) 
830 0 |a Asian Visual Cultures Series 
856 4 0 |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6637631  |z Click to View