Boredom, Shanzhai, and Digitisation in the Time of Creative China.
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Superior document: | Asian Visual Cultures Series ; v.4 |
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TeilnehmendeR: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2019. Ã2019. |
Year of Publication: | 2019 |
Edition: | 1st ed. |
Language: | English |
Series: | Asian Visual Cultures Series
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Online Access: | |
Physical Description: | 1 online resource (320 pages) |
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100 | 1 | |a de Kloet, Jeroen. | |
245 | 1 | 0 | |a Boredom, Shanzhai, and Digitisation in the Time of Creative China. |
250 | |a 1st ed. | ||
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2019. | |
264 | 4 | |c Ã2019. | |
300 | |a 1 online resource (320 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Asian Visual Cultures Series ; |v v.4 | |
505 | 0 | |a Intro -- Table of Contents -- Acknowledgments -- I. Introduction: We Must Create? -- II. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity -- Essays -- 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective -- 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge -- Interlocuting -- 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism -- 1.4 Boredom and Creativity in the Era of Accelerated Living -- Notes from the Field -- 1.5 Evaporating Ennui Water Calligraphy in Beijing -- 1.6 Male Cinderella on the Small Screen in mainland China -- In Dialogue -- 1.7 'Performativity' in the Age of Banality -- Essays -- 2.1 New Productive Culture Shanzhai or Second Degree of Creation? -- 2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen' -- 2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective -- Interlocuting -- 2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products -- 2.5 Shanzhai = Creativity, Creativity = Shanzhai -- Notes from the Field -- 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education -- 2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners? -- In Dialogue -- 2.8 Two sides of SZ (Shanzhai & -- amp -- Shenzhen) -- Essay -- 3.1 Creativity, Affordances, and Chinese Traditional Culture -- Interlocuting -- 3.2 Digital Payment, Vernacular Creativity, and Governmentality -- 3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products -- Notes from the Field -- 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails -- 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016. | |
505 | 8 | |a In Dialogue -- 3.6 Digitisation with (in/out) Borders -- Index. | |
588 | |a Description based on publisher supplied metadata and other sources. | ||
590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
655 | 4 | |a Electronic books. | |
700 | 1 | |a Chow, Yiu Fai. | |
700 | 1 | |a Scheen, Lena. | |
776 | 0 | 8 | |i Print version: |a de Kloet, Jeroen |t Boredom, Shanzhai, and Digitisation in the Time of Creative China |d Amsterdam : Amsterdam University Press,c2019 |
797 | 2 | |a ProQuest (Firm) | |
830 | 0 | |a Asian Visual Cultures Series | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6637631 |z Click to View |