American Independent Cinema : : Second Edition.
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Place / Publishing House: | Edinburgh : : Edinburgh University Press,, 2017. ©2017. |
Year of Publication: | 2017 |
Edition: | 2nd ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (353 pages) |
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Tzioumakis, Yannis. American Independent Cinema : Second Edition. 2nd ed. Edinburgh : Edinburgh University Press, 2017. ©2017. 1 online resource (353 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes. Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index. No detailed description available for "American Independent Cinema". Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Electronic books. Print version: Tzioumakis, Yannis American Independent Cinema Edinburgh : Edinburgh University Press,c2017 9781474416825 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=5571007 Click to View |
language |
English |
format |
eBook |
author |
Tzioumakis, Yannis. |
spellingShingle |
Tzioumakis, Yannis. American Independent Cinema : Second Edition. Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes. Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index. |
author_facet |
Tzioumakis, Yannis. |
author_variant |
y t yt |
author_sort |
Tzioumakis, Yannis. |
title |
American Independent Cinema : Second Edition. |
title_sub |
Second Edition. |
title_full |
American Independent Cinema : Second Edition. |
title_fullStr |
American Independent Cinema : Second Edition. |
title_full_unstemmed |
American Independent Cinema : Second Edition. |
title_auth |
American Independent Cinema : Second Edition. |
title_new |
American Independent Cinema : |
title_sort |
american independent cinema : second edition. |
publisher |
Edinburgh University Press, |
publishDate |
2017 |
physical |
1 online resource (353 pages) |
edition |
2nd ed. |
contents |
Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes. Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index. |
isbn |
9781474416832 9781474416825 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=5571007 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430973 |
dewey-sort |
3791.430973 |
dewey-raw |
791.430973 |
dewey-search |
791.430973 |
oclc_num |
1065389463 |
work_keys_str_mv |
AT tzioumakisyannis americanindependentcinemasecondedition |
status_str |
n |
ids_txt_mv |
(MiAaPQ)5005571007 (Au-PeEL)EBL5571007 (OCoLC)1065389463 |
carrierType_str_mv |
cr |
is_hierarchy_title |
American Independent Cinema : Second Edition. |
marc_error |
Info : MARC8 translation shorter than ISO-8859-1, choosing MARC8. --- [ 856 : z ] |
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1792331055538110465 |
fullrecord |
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American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. 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American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">No detailed description available for "American Independent Cinema".</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="590" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. 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