American Independent Cinema : : Second Edition.
No detailed description available for "American Independent Cinema".
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Place / Publishing House: | Edinburgh : : Edinburgh University Press,, 2017. ©2017. |
Year of Publication: | 2017 |
Edition: | 2nd ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (353 pages) |
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001 | 5005571007 | ||
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020 | |a 9781474416832 |q (electronic bk.) | ||
020 | |z 9781474416825 | ||
035 | |a (MiAaPQ)5005571007 | ||
035 | |a (Au-PeEL)EBL5571007 | ||
035 | |a (OCoLC)1065389463 | ||
040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
082 | 0 | |a 791.430973 | |
100 | 1 | |a Tzioumakis, Yannis. | |
245 | 1 | 0 | |a American Independent Cinema : |b Second Edition. |
250 | |a 2nd ed. | ||
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c 2017. | |
264 | 4 | |c ©2017. | |
300 | |a 1 online resource (353 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes. | |
505 | 8 | |a Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index. | |
520 | |a No detailed description available for "American Independent Cinema". | ||
588 | |a Description based on publisher supplied metadata and other sources. | ||
590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
655 | 4 | |a Electronic books. | |
776 | 0 | 8 | |i Print version: |a Tzioumakis, Yannis |t American Independent Cinema |d Edinburgh : Edinburgh University Press,c2017 |z 9781474416825 |
797 | 2 | |a ProQuest (Firm) | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=5571007 |z Click to View |