Tonality as drama : closure and interruption in four twentieth-century American operas / / Edward D. Latham.
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| Year of Publication: | 2008 |
| Language: | English |
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| Physical Description: | xv, 221 p. :; ill. |
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500517531 |
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(MiAaPQ)500517531 (Au-PeEL)EBL517531 (CaPaEBR)ebr10383995 (CaONFJC)MIL255548 (OCoLC)745977024 |
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Latham, Edward David. Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham. Denton, Tex. : University of North Texas Press, c2008. xv, 221 p. : ill. Includes bibliographical references (p. 193-210) and index. Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Joplin, Scott, 1868-1917. Treemonisha. Weill, Kurt, 1900-1950. Street scene. Gershwin, George, 1898-1937. Porgy and Bess. Copland, Aaron, 1900-1990. Tender land. Operas Analysis, appreciation. Opera United States 20th century. Electronic books. ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=517531 Click to View |
| language |
English |
| format |
Electronic eBook |
| author |
Latham, Edward David. |
| spellingShingle |
Latham, Edward David. Tonality as drama closure and interruption in four twentieth-century American operas / Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). |
| author_facet |
Latham, Edward David. ProQuest (Firm) ProQuest (Firm) |
| author_variant |
e d l ed edl |
| author2 |
ProQuest (Firm) |
| author2_role |
TeilnehmendeR |
| author_corporate |
ProQuest (Firm) |
| author_sort |
Latham, Edward David. |
| title |
Tonality as drama closure and interruption in four twentieth-century American operas / |
| title_sub |
closure and interruption in four twentieth-century American operas / |
| title_full |
Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham. |
| title_fullStr |
Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham. |
| title_full_unstemmed |
Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham. |
| title_auth |
Tonality as drama closure and interruption in four twentieth-century American operas / |
| title_new |
Tonality as drama |
| title_sort |
tonality as drama closure and interruption in four twentieth-century american operas / |
| publisher |
University of North Texas Press, |
| publishDate |
2008 |
| physical |
xv, 221 p. : ill. |
| contents |
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). |
| callnumber-first |
M - Music |
| callnumber-subject |
MT - Instruction and Study |
| callnumber-label |
MT95 |
| callnumber-sort |
MT 295 L37 42008 |
| genre |
Electronic books. |
| genre_facet |
Electronic books. |
| geographic_facet |
United States |
| era_facet |
1868-1917. 1900-1950. 1898-1937. 1900-1990. 20th century. |
| url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=517531 |
| illustrated |
Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
780 - Music |
| dewey-ones |
782 - Vocal music |
| dewey-full |
782.10973 |
| dewey-sort |
3782.10973 |
| dewey-raw |
782.10973 |
| dewey-search |
782.10973 |
| oclc_num |
745977024 |
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AT lathamedwarddavid tonalityasdramaclosureandinterruptioninfourtwentiethcenturyamericanoperas AT proquestfirm tonalityasdramaclosureandinterruptioninfourtwentiethcenturyamericanoperas |
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(MiAaPQ)500517531 (Au-PeEL)EBL517531 (CaPaEBR)ebr10383995 (CaONFJC)MIL255548 (OCoLC)745977024 |
| is_hierarchy_title |
Tonality as drama closure and interruption in four twentieth-century American operas / |
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noLinkedField |
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