Tonality as drama : closure and interruption in four twentieth-century American operas / / Edward D. Latham.

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Year of Publication:2008
Language:English
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Physical Description:xv, 221 p. :; ill.
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020 |z 9781574412499 (cloth : alk. paper) 
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050 4 |a MT95  |b .L37 2008 
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100 1 |a Latham, Edward David. 
245 1 0 |a Tonality as drama  |h [electronic resource] :  |b closure and interruption in four twentieth-century American operas /  |c Edward D. Latham. 
260 |a Denton, Tex. :  |b University of North Texas Press,  |c c2008. 
300 |a xv, 221 p. :  |b ill. 
504 |a Includes bibliographical references (p. 193-210) and index. 
505 0 |a Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). 
533 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
600 1 0 |a Joplin, Scott,  |d 1868-1917.  |t Treemonisha. 
600 1 0 |a Weill, Kurt,  |d 1900-1950.  |t Street scene. 
600 1 0 |a Gershwin, George,  |d 1898-1937.  |t Porgy and Bess. 
600 1 0 |a Copland, Aaron,  |d 1900-1990.  |t Tender land. 
650 0 |a Operas  |x Analysis, appreciation. 
650 0 |a Opera  |z United States  |y 20th century. 
655 4 |a Electronic books. 
710 2 |a ProQuest (Firm) 
856 4 0 |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=517531  |z Click to View