The ambivalent legacy of Elia Kazan : : the politics of the post-HUAC films / / Ron Briley.
Saved in:
| Superior document: | Film and history |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Lanham : : Rowman & Littlefield,, [2017] 2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Film and history (Lanham, Md.)
|
| Online Access: | |
| Physical Description: | 1 online resource (277 pages) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Introduction: no regrets?
- Viva Zapata! (1952) and Cold War liberalism
- Kazan and the anticommunist film genre: Man on a tightrope (1953)
- The ambivalence of informing: On the waterfront (1954)
- Father and sons and the cost of pursuing the American Dream: East of Eden (1955)
- Sexuality and the new south: Baby doll (1956)
- A return to progressive principles and the shape of things to come: A face in the crowd (1957)
- Looking backward and the cost of progress: Wild river (1960)
- Anticipating the youth rebellion: Splendor in the grass (1960)
- The Anatolian smile and the immigrant experience: America America (1963)
- Rebelling against the arranged life: The arrangement (1969)
- The final films: The visitors (1971) and The last tycoon (1976).