The ambivalent legacy of Elia Kazan : : the politics of the post-HUAC films / / Ron Briley.
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| Superior document: | Film and history |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Lanham : : Rowman & Littlefield,, [2017] 2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Film and history (Lanham, Md.)
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| Online Access: | |
| Physical Description: | 1 online resource (277 pages) |
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| 001 | 5004675538 | ||
| 003 | MiAaPQ | ||
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| 007 | cr cnu|||||||| | ||
| 008 | 160425t20172017mdu ob 001 0 eng|d | ||
| 020 | |z 9781442271678 (cloth : alk. paper) | ||
| 020 | |z 9781442271678 | ||
| 020 | |a 9781442271685 (e-book) | ||
| 035 | |a (MiAaPQ)5004675538 | ||
| 035 | |a (Au-PeEL)EBL4675538 | ||
| 035 | |a (CaPaEBR)ebr11259135 | ||
| 035 | |a (CaONFJC)MIL953543 | ||
| 035 | |a (OCoLC)948670469 | ||
| 040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1998.3.K39 |b B75 2017 | |
| 082 | 0 | |a 791.4302/33092 |2 23 | |
| 100 | 1 | |a Briley, Ron, |d 1949- |e author. | |
| 245 | 1 | 4 | |a The ambivalent legacy of Elia Kazan : |b the politics of the post-HUAC films / |c Ron Briley. |
| 264 | 1 | |a Lanham : |b Rowman & Littlefield, |c [2017] | |
| 264 | 4 | |c 2017 | |
| 300 | |a 1 online resource (277 pages) | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Film and history | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976). | |
| 588 | |a Description based on print version record. | ||
| 590 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 600 | 1 | 0 | |a Kazan, Elia |x Criticism and interpretation. |
| 650 | 0 | |a Motion picture producers and directors |x Political activity |z United States. | |
| 650 | 0 | |a Motion pictures |x Political aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Communism and motion pictures |z United States. | |
| 655 | 4 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Briley, Ron. |t Ambivalent legacy of Elia Kazan : the politics of the post-HUAC films. |d Lanham : Rowman & Littlefield, [2017] |k Film and history |z 9781442271678 |
| 797 | 2 | |a ProQuest (Firm) | |
| 830 | 0 | |a Film and history (Lanham, Md.) | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=4675538 |z Click to View |