Experimental Latin American cinema : history and aesthetics / / by Cynthia Tompkins.
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Year of Publication: | 2013 |
Edition: | 1st ed. |
Language: | English |
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Physical Description: | x, 294 p. :; ill. |
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Tompkins, Cynthia, 1958- Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins. 1st ed. Austin : University of Texas Press, 2013. x, 294 p. : ill. Includes bibliographical references and index. Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures. Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Experimental films Latin America History and criticism. Electronic books. ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443647 Click to View |
language |
English |
format |
Electronic eBook |
author |
Tompkins, Cynthia, 1958- |
spellingShingle |
Tompkins, Cynthia, 1958- Experimental Latin American cinema history and aesthetics / Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures. |
author_facet |
Tompkins, Cynthia, 1958- ProQuest (Firm) ProQuest (Firm) |
author_variant |
c t ct |
author2 |
ProQuest (Firm) |
author2_role |
TeilnehmendeR |
author_corporate |
ProQuest (Firm) |
author_sort |
Tompkins, Cynthia, 1958- |
title |
Experimental Latin American cinema history and aesthetics / |
title_sub |
history and aesthetics / |
title_full |
Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins. |
title_fullStr |
Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins. |
title_full_unstemmed |
Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins. |
title_auth |
Experimental Latin American cinema history and aesthetics / |
title_new |
Experimental Latin American cinema |
title_sort |
experimental latin american cinema history and aesthetics / |
publisher |
University of Texas Press, |
publishDate |
2013 |
physical |
x, 294 p. : ill. |
edition |
1st ed. |
contents |
Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures. |
isbn |
9780292744165 (electronic bk.) |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 L3 T75 42013 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
geographic_facet |
Latin America |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443647 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43098 |
dewey-sort |
3791.43098 |
dewey-raw |
791.43098 |
dewey-search |
791.43098 |
oclc_num |
827944895 |
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(MiAaPQ)5003443647 (Au-PeEL)EBL3443647 (CaPaEBR)ebr10656988 (OCoLC)827944895 |
is_hierarchy_title |
Experimental Latin American cinema history and aesthetics / |
author2_original_writing_str_mv |
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