Experimental Latin American cinema : history and aesthetics /

Experimental Latin American cinema : history and aesthetics / / by Cynthia Tompkins.

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Tompkins, Cynthia, 1958-
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ProQuest (Firm)
Year of Publication:2013
Edition:1st ed.
Language:English
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Physical Description:x, 294 p. :; ill.
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id 5003443647
ctrlnum (MiAaPQ)5003443647
(Au-PeEL)EBL3443647
(CaPaEBR)ebr10656988
(OCoLC)827944895
collection bib_alma
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spelling Tompkins, Cynthia, 1958-
Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins.
1st ed.
Austin : University of Texas Press, 2013.
x, 294 p. : ill.
Includes bibliographical references and index.
Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Experimental films Latin America History and criticism.
Electronic books.
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443647 Click to View
language English
format Electronic
eBook
author Tompkins, Cynthia, 1958-
spellingShingle Tompkins, Cynthia, 1958-
Experimental Latin American cinema history and aesthetics /
Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures.
author_facet Tompkins, Cynthia, 1958-
ProQuest (Firm)
ProQuest (Firm)
author_variant c t ct
author2 ProQuest (Firm)
author2_role TeilnehmendeR
author_corporate ProQuest (Firm)
author_sort Tompkins, Cynthia, 1958-
title Experimental Latin American cinema history and aesthetics /
title_sub history and aesthetics /
title_full Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins.
title_fullStr Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins.
title_full_unstemmed Experimental Latin American cinema [electronic resource] : history and aesthetics / by Cynthia Tompkins.
title_auth Experimental Latin American cinema history and aesthetics /
title_new Experimental Latin American cinema
title_sort experimental latin american cinema history and aesthetics /
publisher University of Texas Press,
publishDate 2013
physical x, 294 p. : ill.
edition 1st ed.
contents Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures.
isbn 9780292744165 (electronic bk.)
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993.5 L3 T75 42013
genre Electronic books.
genre_facet Electronic books.
geographic_facet Latin America
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443647
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.43098
dewey-sort 3791.43098
dewey-raw 791.43098
dewey-search 791.43098
oclc_num 827944895
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status_str n
ids_txt_mv (MiAaPQ)5003443647
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is_hierarchy_title Experimental Latin American cinema history and aesthetics /
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