Experimental Latin American cinema : history and aesthetics / / by Cynthia Tompkins.
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| Year of Publication: | 2013 |
| Edition: | 1st ed. |
| Language: | English |
| Online Access: | |
| Physical Description: | x, 294 p. :; ill. |
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| 020 | |z 9780292744158 (cloth : alk. paper) | ||
| 020 | |a 9780292744165 (electronic bk.) | ||
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| 050 | 4 | |a PN1993.5.L3 |b T75 2013 | |
| 082 | 0 | 4 | |a 791.43098 |2 23 |
| 100 | 1 | |a Tompkins, Cynthia, |d 1958- | |
| 245 | 1 | 0 | |a Experimental Latin American cinema |h [electronic resource] : |b history and aesthetics / |c by Cynthia Tompkins. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c 2013. | ||
| 300 | |a x, 294 p. : |b ill. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures. | |
| 533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 650 | 0 | |a Experimental films |z Latin America |x History and criticism. | |
| 655 | 4 | |a Electronic books. | |
| 710 | 2 | |a ProQuest (Firm) | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443647 |z Click to View |