New Music and Institutional Critique.
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Superior document: | Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series |
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TeilnehmendeR: | |
Place / Publishing House: | Berlin, Heidelberg : : Springer Berlin / Heidelberg,, 2023. {copy}2024. |
Year of Publication: | 2023 |
Edition: | 1st ed. |
Language: | English |
Series: | Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series
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Online Access: | |
Physical Description: | 1 online resource (207 pages) |
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Table of Contents:
- Intro
- Vorwort der Herausgeber/innen
- Acknowledgement
- Contents
- Contributors
- 1 Introduction
- 1 Prelude
- 2 Introduction
- 2.1 Denormalisation
- 2.2 Institutions as Form, Orientation, and Exclusion
- 2.3 Critique, the Arts, and New Music
- 2.4 New Music and Critique
- 2.4.1 Artistic Practices
- 2.4.2 Institutional Practices
- 3 Chapters
- References
- Part I Scholars
- 2 Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art
- 1 Introduction
- 2 Re: Assembly-Curation Contra Art Music
- 3 Unlearning Art Music-Rehearsing Social Practice
- 4 Conclusion: Institutions Against Art Music
- References
- 3 Gender Issues as Criticism Within (New) Music Institutions
- 1 Introduction
- 2 Gender Issues as Criticism in Society and Institutions
- 3 Gender Issues as Institutional Critique in the Field of Music
- 4 Gender Issues as Institutional and Discourse Critique-Contemporary Music
- 5 Conclusion
- References
- 4 Darmstadt and Its Discontents
- 1.
- 2.
- 3.
- 4.
- References
- 5 Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research
- 1 Musicology's Critical Lateness
- 2 The Crisis of Democracy
- 3 'Relocating a Cemetery'
- References
- 6 Black Music's Institutional Critique
- References
- Part II Artists
- 7 My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art
- Reference
- 8 Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 9 Gender Relations in New Music is Institutional Critique
- 1 Introductions and Origins at Darmstadt.
- 2 Key Actions
- 3 Assembling a para-institution
- 4 Pandemic Activism
- 5 Post-Pandemic
- References
- 10 Ark
- 11 On the Kunsthalle for Music and (Music-)Institutional Critique
- References
- Part III Interviews
- 12 "We Started Expanding the 'Us,' Rather Than Including Someone Else"-Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth Peter
- 13 "Don't Expect the Wrong Things from Institutions."-Berno Odo Polzer Interviewed by Christian Grüny Berno Odo Polzer and Christian Grüny
- 14 "Pockets of Obscure Skills"-Samson Young Interviewed by Brandon Farnsworth
- 15 "Positioning Myself Between Stools"-Hannes Seidl Interviewed by Christian Grüny
- 16 "Framing Europe"-meLê yamomo Interviewed by Theresa Beyer.