New Music and Institutional Critique.

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Bibliographic Details
Superior document:Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series
:
TeilnehmendeR:
Place / Publishing House:Berlin, Heidelberg : : Springer Berlin / Heidelberg,, 2023.
{copy}2024.
Year of Publication:2023
Edition:1st ed.
Language:English
Series:Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series
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Physical Description:1 online resource (207 pages)
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Table of Contents:
  • Intro
  • Vorwort der Herausgeber/innen
  • Acknowledgement
  • Contents
  • Contributors
  • 1 Introduction
  • 1 Prelude
  • 2 Introduction
  • 2.1 Denormalisation
  • 2.2 Institutions as Form, Orientation, and Exclusion
  • 2.3 Critique, the Arts, and New Music
  • 2.4 New Music and Critique
  • 2.4.1 Artistic Practices
  • 2.4.2 Institutional Practices
  • 3 Chapters
  • References
  • Part I Scholars
  • 2 Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art
  • 1 Introduction
  • 2 Re: Assembly-Curation Contra Art Music
  • 3 Unlearning Art Music-Rehearsing Social Practice
  • 4 Conclusion: Institutions Against Art Music
  • References
  • 3 Gender Issues as Criticism Within (New) Music Institutions
  • 1 Introduction
  • 2 Gender Issues as Criticism in Society and Institutions
  • 3 Gender Issues as Institutional Critique in the Field of Music
  • 4 Gender Issues as Institutional and Discourse Critique-Contemporary Music
  • 5 Conclusion
  • References
  • 4 Darmstadt and Its Discontents
  • 1.
  • 2.
  • 3.
  • 4.
  • References
  • 5 Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research
  • 1 Musicology's Critical Lateness
  • 2 The Crisis of Democracy
  • 3 'Relocating a Cemetery'
  • References
  • 6 Black Music's Institutional Critique
  • References
  • Part II Artists
  • 7 My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art
  • Reference
  • 8 Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions
  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 9 Gender Relations in New Music is Institutional Critique
  • 1 Introductions and Origins at Darmstadt.
  • 2 Key Actions
  • 3 Assembling a para-institution
  • 4 Pandemic Activism
  • 5 Post-Pandemic
  • References
  • 10 Ark
  • 11 On the Kunsthalle for Music and (Music-)Institutional Critique
  • References
  • Part III Interviews
  • 12 "We Started Expanding the 'Us,' Rather Than Including Someone Else"-Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth Peter
  • 13 "Don't Expect the Wrong Things from Institutions."-Berno Odo Polzer Interviewed by Christian Grüny Berno Odo Polzer and Christian Grüny
  • 14 "Pockets of Obscure Skills"-Samson Young Interviewed by Brandon Farnsworth
  • 15 "Positioning Myself Between Stools"-Hannes Seidl Interviewed by Christian Grüny
  • 16 "Framing Europe"-meLê yamomo Interviewed by Theresa Beyer.