New Music and Institutional Critique.
Saved in:
Superior document: | Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series |
---|---|
: | |
TeilnehmendeR: | |
Place / Publishing House: | Berlin, Heidelberg : : Springer Berlin / Heidelberg,, 2023. {copy}2024. |
Year of Publication: | 2023 |
Edition: | 1st ed. |
Language: | English |
Series: | Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series
|
Online Access: | |
Physical Description: | 1 online resource (207 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
50030882896 |
---|---|
ctrlnum |
(MiAaPQ)50030882896 (Au-PeEL)EBL30882896 (OCoLC)1409700064 |
collection |
bib_alma |
record_format |
marc |
spelling |
Grüny, Christian. New Music and Institutional Critique. 1st ed. Berlin, Heidelberg : Springer Berlin / Heidelberg, 2023. {copy}2024. 1 online resource (207 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series Intro -- Vorwort der Herausgeber/innen -- Acknowledgement -- Contents -- Contributors -- 1 Introduction -- 1 Prelude -- 2 Introduction -- 2.1 Denormalisation -- 2.2 Institutions as Form, Orientation, and Exclusion -- 2.3 Critique, the Arts, and New Music -- 2.4 New Music and Critique -- 2.4.1 Artistic Practices -- 2.4.2 Institutional Practices -- 3 Chapters -- References -- Part I Scholars -- 2 Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art -- 1 Introduction -- 2 Re: Assembly-Curation Contra Art Music -- 3 Unlearning Art Music-Rehearsing Social Practice -- 4 Conclusion: Institutions Against Art Music -- References -- 3 Gender Issues as Criticism Within (New) Music Institutions -- 1 Introduction -- 2 Gender Issues as Criticism in Society and Institutions -- 3 Gender Issues as Institutional Critique in the Field of Music -- 4 Gender Issues as Institutional and Discourse Critique-Contemporary Music -- 5 Conclusion -- References -- 4 Darmstadt and Its Discontents -- 1. -- 2. -- 3. -- 4. -- References -- 5 Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 1 Musicology's Critical Lateness -- 2 The Crisis of Democracy -- 3 'Relocating a Cemetery' -- References -- 6 Black Music's Institutional Critique -- References -- Part II Artists -- 7 My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art -- Reference -- 8 Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions -- 1. -- 2. -- 3. -- 4. -- 5. -- 6. -- 7. -- 9 Gender Relations in New Music is Institutional Critique -- 1 Introductions and Origins at Darmstadt. 2 Key Actions -- 3 Assembling a para-institution -- 4 Pandemic Activism -- 5 Post-Pandemic -- References -- 10 Ark -- 11 On the Kunsthalle for Music and (Music-)Institutional Critique -- References -- Part III Interviews -- 12 "We Started Expanding the 'Us,' Rather Than Including Someone Else"-Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth Peter -- 13 "Don't Expect the Wrong Things from Institutions."-Berno Odo Polzer Interviewed by Christian Grüny Berno Odo Polzer and Christian Grüny -- 14 "Pockets of Obscure Skills"-Samson Young Interviewed by Brandon Farnsworth -- 15 "Positioning Myself Between Stools"-Hannes Seidl Interviewed by Christian Grüny -- 16 "Framing Europe"-meLê yamomo Interviewed by Theresa Beyer. Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Electronic books. Farnsworth, Brandon. Print version: Grüny, Christian New Music and Institutional Critique Berlin, Heidelberg : Springer Berlin / Heidelberg,c2023 9783662671306 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=30882896 Click to View |
language |
English |
format |
eBook |
author |
Grüny, Christian. |
spellingShingle |
Grüny, Christian. New Music and Institutional Critique. Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series Intro -- Vorwort der Herausgeber/innen -- Acknowledgement -- Contents -- Contributors -- 1 Introduction -- 1 Prelude -- 2 Introduction -- 2.1 Denormalisation -- 2.2 Institutions as Form, Orientation, and Exclusion -- 2.3 Critique, the Arts, and New Music -- 2.4 New Music and Critique -- 2.4.1 Artistic Practices -- 2.4.2 Institutional Practices -- 3 Chapters -- References -- Part I Scholars -- 2 Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art -- 1 Introduction -- 2 Re: Assembly-Curation Contra Art Music -- 3 Unlearning Art Music-Rehearsing Social Practice -- 4 Conclusion: Institutions Against Art Music -- References -- 3 Gender Issues as Criticism Within (New) Music Institutions -- 1 Introduction -- 2 Gender Issues as Criticism in Society and Institutions -- 3 Gender Issues as Institutional Critique in the Field of Music -- 4 Gender Issues as Institutional and Discourse Critique-Contemporary Music -- 5 Conclusion -- References -- 4 Darmstadt and Its Discontents -- 1. -- 2. -- 3. -- 4. -- References -- 5 Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 1 Musicology's Critical Lateness -- 2 The Crisis of Democracy -- 3 'Relocating a Cemetery' -- References -- 6 Black Music's Institutional Critique -- References -- Part II Artists -- 7 My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art -- Reference -- 8 Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions -- 1. -- 2. -- 3. -- 4. -- 5. -- 6. -- 7. -- 9 Gender Relations in New Music is Institutional Critique -- 1 Introductions and Origins at Darmstadt. 2 Key Actions -- 3 Assembling a para-institution -- 4 Pandemic Activism -- 5 Post-Pandemic -- References -- 10 Ark -- 11 On the Kunsthalle for Music and (Music-)Institutional Critique -- References -- Part III Interviews -- 12 "We Started Expanding the 'Us,' Rather Than Including Someone Else"-Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth Peter -- 13 "Don't Expect the Wrong Things from Institutions."-Berno Odo Polzer Interviewed by Christian Grüny Berno Odo Polzer and Christian Grüny -- 14 "Pockets of Obscure Skills"-Samson Young Interviewed by Brandon Farnsworth -- 15 "Positioning Myself Between Stools"-Hannes Seidl Interviewed by Christian Grüny -- 16 "Framing Europe"-meLê yamomo Interviewed by Theresa Beyer. |
author_facet |
Grüny, Christian. Farnsworth, Brandon. |
author_variant |
c g cg |
author2 |
Farnsworth, Brandon. |
author2_variant |
b f bf |
author2_role |
TeilnehmendeR |
author_sort |
Grüny, Christian. |
title |
New Music and Institutional Critique. |
title_full |
New Music and Institutional Critique. |
title_fullStr |
New Music and Institutional Critique. |
title_full_unstemmed |
New Music and Institutional Critique. |
title_auth |
New Music and Institutional Critique. |
title_new |
New Music and Institutional Critique. |
title_sort |
new music and institutional critique. |
series |
Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series |
series2 |
Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series |
publisher |
Springer Berlin / Heidelberg, |
publishDate |
2023 |
physical |
1 online resource (207 pages) |
edition |
1st ed. |
contents |
Intro -- Vorwort der Herausgeber/innen -- Acknowledgement -- Contents -- Contributors -- 1 Introduction -- 1 Prelude -- 2 Introduction -- 2.1 Denormalisation -- 2.2 Institutions as Form, Orientation, and Exclusion -- 2.3 Critique, the Arts, and New Music -- 2.4 New Music and Critique -- 2.4.1 Artistic Practices -- 2.4.2 Institutional Practices -- 3 Chapters -- References -- Part I Scholars -- 2 Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art -- 1 Introduction -- 2 Re: Assembly-Curation Contra Art Music -- 3 Unlearning Art Music-Rehearsing Social Practice -- 4 Conclusion: Institutions Against Art Music -- References -- 3 Gender Issues as Criticism Within (New) Music Institutions -- 1 Introduction -- 2 Gender Issues as Criticism in Society and Institutions -- 3 Gender Issues as Institutional Critique in the Field of Music -- 4 Gender Issues as Institutional and Discourse Critique-Contemporary Music -- 5 Conclusion -- References -- 4 Darmstadt and Its Discontents -- 1. -- 2. -- 3. -- 4. -- References -- 5 Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 1 Musicology's Critical Lateness -- 2 The Crisis of Democracy -- 3 'Relocating a Cemetery' -- References -- 6 Black Music's Institutional Critique -- References -- Part II Artists -- 7 My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art -- Reference -- 8 Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions -- 1. -- 2. -- 3. -- 4. -- 5. -- 6. -- 7. -- 9 Gender Relations in New Music is Institutional Critique -- 1 Introductions and Origins at Darmstadt. 2 Key Actions -- 3 Assembling a para-institution -- 4 Pandemic Activism -- 5 Post-Pandemic -- References -- 10 Ark -- 11 On the Kunsthalle for Music and (Music-)Institutional Critique -- References -- Part III Interviews -- 12 "We Started Expanding the 'Us,' Rather Than Including Someone Else"-Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth Peter -- 13 "Don't Expect the Wrong Things from Institutions."-Berno Odo Polzer Interviewed by Christian Grüny Berno Odo Polzer and Christian Grüny -- 14 "Pockets of Obscure Skills"-Samson Young Interviewed by Brandon Farnsworth -- 15 "Positioning Myself Between Stools"-Hannes Seidl Interviewed by Christian Grüny -- 16 "Framing Europe"-meLê yamomo Interviewed by Theresa Beyer. |
isbn |
9783662671313 9783662671306 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML197 |
callnumber-sort |
ML 3197.2 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=30882896 |
illustrated |
Not Illustrated |
oclc_num |
1409700064 |
work_keys_str_mv |
AT grunychristian newmusicandinstitutionalcritique AT farnsworthbrandon newmusicandinstitutionalcritique |
status_str |
n |
ids_txt_mv |
(MiAaPQ)50030882896 (Au-PeEL)EBL30882896 (OCoLC)1409700064 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series |
is_hierarchy_title |
New Music and Institutional Critique. |
container_title |
Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series |
author2_original_writing_str_mv |
noLinkedField |
marc_error |
Info : MARC8 translation shorter than ISO-8859-1, choosing MARC8. --- [ 856 : z ] |
_version_ |
1792331073512800257 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04324nam a22004213i 4500</leader><controlfield tag="001">50030882896</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20240229073851.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">240229s2023 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783662671313</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9783662671306</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)50030882896</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL30882896</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1409700064</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML197.2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Grüny, Christian.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">New Music and Institutional Critique.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin, Heidelberg :</subfield><subfield code="b">Springer Berlin / Heidelberg,</subfield><subfield code="c">2023.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">{copy}2024.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (207 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- Vorwort der Herausgeber/innen -- Acknowledgement -- Contents -- Contributors -- 1 Introduction -- 1 Prelude -- 2 Introduction -- 2.1 Denormalisation -- 2.2 Institutions as Form, Orientation, and Exclusion -- 2.3 Critique, the Arts, and New Music -- 2.4 New Music and Critique -- 2.4.1 Artistic Practices -- 2.4.2 Institutional Practices -- 3 Chapters -- References -- Part I Scholars -- 2 Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art -- 1 Introduction -- 2 Re: Assembly-Curation Contra Art Music -- 3 Unlearning Art Music-Rehearsing Social Practice -- 4 Conclusion: Institutions Against Art Music -- References -- 3 Gender Issues as Criticism Within (New) Music Institutions -- 1 Introduction -- 2 Gender Issues as Criticism in Society and Institutions -- 3 Gender Issues as Institutional Critique in the Field of Music -- 4 Gender Issues as Institutional and Discourse Critique-Contemporary Music -- 5 Conclusion -- References -- 4 Darmstadt and Its Discontents -- 1. -- 2. -- 3. -- 4. -- References -- 5 Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 1 Musicology's Critical Lateness -- 2 The Crisis of Democracy -- 3 'Relocating a Cemetery' -- References -- 6 Black Music's Institutional Critique -- References -- Part II Artists -- 7 My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art -- Reference -- 8 Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions -- 1. -- 2. -- 3. -- 4. -- 5. -- 6. -- 7. -- 9 Gender Relations in New Music is Institutional Critique -- 1 Introductions and Origins at Darmstadt.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2 Key Actions -- 3 Assembling a para-institution -- 4 Pandemic Activism -- 5 Post-Pandemic -- References -- 10 Ark -- 11 On the Kunsthalle for Music and (Music-)Institutional Critique -- References -- Part III Interviews -- 12 "We Started Expanding the 'Us,' Rather Than Including Someone Else"-Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth Peter -- 13 "Don't Expect the Wrong Things from Institutions."-Berno Odo Polzer Interviewed by Christian Grüny Berno Odo Polzer and Christian Grüny -- 14 "Pockets of Obscure Skills"-Samson Young Interviewed by Brandon Farnsworth -- 15 "Positioning Myself Between Stools"-Hannes Seidl Interviewed by Christian Grüny -- 16 "Framing Europe"-meLê yamomo Interviewed by Theresa Beyer.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="590" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. </subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Farnsworth, Brandon.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Grüny, Christian</subfield><subfield code="t">New Music and Institutional Critique</subfield><subfield code="d">Berlin, Heidelberg : Springer Berlin / Heidelberg,c2023</subfield><subfield code="z">9783662671306</subfield></datafield><datafield tag="797" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=30882896</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |