Capturing the Senses : : Digital Methods for Sensory Archaeologies.

• Superior document: Quantitative Methods in the Humanities and Social Sciences Series
• Author: Landeschi, Giacomo.
• TeilnehmendeR: Betts, Eleanor.
• Place / Publishing House: Cham : : Springer International Publishing AG,, 2023.; ©2023.
• Year of Publication: 2023
• Edition: 1st ed.
• Language: English
• Series: Quantitative Methods in the Humanities and Social Sciences Series
• Physical Description: 1 online resource (271 pages)

Table of Contents

• Intro
• Preface
• Acknowledgements
• Contents
• Contributors
• Introduction: Digital Methods and Experiential Approaches to the Past
• 1 The Role of GIS-based Visual Studies/Space Syntax Analysis
• 2 VR-based Applications
• 3 Where Are We Now?
• References
• More than Modal? Exploring Affect, Affordance, Invitation and Solicitation
• 1 Introduction
• 2 Houses, Squares and Circles
• 3 Affect and Affordance
• 4 Exploring Affective Atmospheres
• 5 Methodology
• 5.1 Analysis 1-Catching a Glimpse of the Founder's House
• 5.2 Analysis 2-But What is Being Glimpsed?
• 5.3 Analysis 3-On the Outside, Looking in
• 5.4 Analysis 4-Being Affected
• 6 Conclusions
• References
• The Senses &amp
• the Sacred: A Multisensory and Digital Approach to Examining an Ancient Egyptian Funerary Landscape
• 1 Introduction
• 2 Sensory Archaeology and Egyptology
• 3 The Human Sensorium in Pharaonic Egypt
• 4 The Egyptian 'Funerary Landscape' and Digital Archaeology
• 5 A Multisensory and Digital Exploration of the Saqqara Funerary Landscape in the New Kingdom
• 5.1 Funerals
• 5.2 Elite Mortuary Cults at Saqqara
• 6 Conclusion
• References
• Kinesthetic Archaeologies: Digital Methods and the Reconstruction of Movement
• 1 Introduction: The Idea of "Retro-Documentation"
• 2 Digital Capture, Digital Documentation
• 3 Movement and the Human Record
• 4 Recording Movement in Print
• 5 Movement and GIS
• 6 Textual Approaches
• 7 Movement: The Medium Suppresses the Message
• 8 Retro-Documentation and Standards
• 9 Movement and the Digital
• 10 Conclusion
• References
• Exploring Fragmented Data: Environments, People and the Senses in Virtual Reality
• 1 Introduction
• 2 Broken Data and Multivocality
• 3 Critical Senses
• 4 Dynamic Cyberspace as Formative Resource
• 5 Conclusions
• References.
• Combining 3D Visibility Analysis and Virtual Acoustics Analysis for the Architectural Study of Ancient Theatres
• 1 Introduction
• 2 The Roman Theatres in Crete
• 3 Methodology
• 3.1 3D Visibility Analysis
• 3.2 Virtual Acoustics Analysis
• 4 Case Study and Results
• 5 Discussion and Conclusion
• References
• "Please, Touch the Exhibits": 3D Archaeology for Experiential Spatialisation
• 1 Introduction
• 2 Spatialising Archaeology
• 3 Digitisation and Virtuality as Heterotopias
• 4 Digital Databases: Preserving, Validating and Completing the Archaeological Record
• 4.1 Procedural Facilitation
• 4.2 The User as a Participant in the Archaeological Record
• 4.3 Bridging the Gap Between Users and Usability
• 5 Augmented Reality for Epigraphy and Archaeology, or How to Bring Holograms of Artefacts to the Classroom
• 5.1 3D Holographic Database
• 5.2 Reconstituting Physicality Through 3D Printing
• 6 Conclusion
• References
• Sailing Along the Coast of North Etruria: Ancient Perceptions Versus Multidisciplinary Coastal Landscape Studies
• 1 Research Overview
• 1.1 North Coastal Etruria: Palaeogeography, Landscapes and Settlements
• 2 Ancient Perceptions: Strabo (5.2.5, 222C)
• 3 Ancient Perceptions: Claudius Rutilius Namatianus
• 3.1 Falesia and Populonia
• 3.2 Vada Volaterrana
• 3.3 Pisa, Portus Pisanus and Livorno
• 4 Portus Pisanus: Archaeological Evidence
• 4.1 Portus Pisanus: Claudius Rutilius Namatianus versus Palaeogeographic and Archaeological Evidence of the Site
• 4.2 Satellite Remote Sensing Contribution
• 4.3 GIS-Based Legacy Data Integration
• 4.4 Geophysical Prospecting
• 4.5 Geoarchaeology Contribution
• 5 From Ancient Perception to Archaeological Interpretation: A Multidisciplinary Investigation
• References.
• Multisensory Experiences in Archaeological Landscapes-Sound, Vision, and Movement in GIS and Virtual Reality
• 1 Introduction
• 2 Research Overview
• 3 Theoretical Foundations
• 4 Digital Affordances and Material Culture: GIS and VR
• 5 Case Study: Ancient Maya
• 5.1 Perspectives of Sight, Sound, and Movement
• 5.2 Ancient Maya City of Copán
• 6 Materials (Data Sources)
• 6.1 Data Acquisition and Integration
• 7 Methods
• 7.1 Soundshed Analysis Toolbox
• 7.2 Project Specific Environmental Inputs
• 8 Results and Analysis
• 8.1 GIS Results and Interpretation
• 9 Conclusions and Future Direction
• References
• Home-Making in 17th Century Amsterdam: A 3D Reconstruction to Investigate Visual Cues in the Entrance Hall of Pieter de Graeff (1638-1707)
• 1 Introduction
• 2 At Home at Herengracht 573
• 3 The Entrance Hall: Sources for a Reconstruction Hypothesis
• 3.1 Almanacs, Inventory, and Physical Remains
• 3.2 Visual References for 17th Century Dutch Interiors
• 4 "Materializing" Household Objects in a 3D Digital Model
• 5 Discussion
• References
• The Embodied City: A Method for Multisensory Mapping
• 1 Embodied City Mapping
• 2 Embodied City Map Analysis
• 3 Possible Application to Past Cities
• 4 Conclusions
• References.