Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /

Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno.

Saved in:
Bibliographic Details
Superior document:Musical meaning and interpretation
:
ProQuest (Firm)
Moreno, Jairo, 1963-
TeilnehmendeR:
ProQuest (Firm)
Year of Publication:2004
Language:English
Series:Musical meaning and interpretation.
Online Access:
Physical Description:viii, 236 p. :; ill.
Tags: Add Tag
No Tags, Be the first to tag this record!
id 500255648
ctrlnum (MiAaPQ)500255648
(Au-PeEL)EBL255648
(CaPaEBR)ebr10118512
(CaONFJC)MIL207160
(OCoLC)475970625
collection bib_alma
record_format marc
spelling Moreno, Jairo, 1963-
Musical representations, subjects, and objects [electronic resource] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / Jairo Moreno.
Bloomington : Indiana University Press, c2004.
viii, 236 p. : ill.
Musical meaning and interpretation
Includes bibliographical references (p. [221]-231) and index.
Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Music Philosophy and aesthetics.
Music Semiotics.
Music theory History.
Electronic books.
ProQuest (Firm)
Musical meaning and interpretation.
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=255648 Click to View
language English
format Electronic
eBook
author Moreno, Jairo, 1963-
spellingShingle Moreno, Jairo, 1963-
Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
Musical meaning and interpretation
Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
author_facet Moreno, Jairo, 1963-
ProQuest (Firm)
ProQuest (Firm)
author_variant j m jm
author2 ProQuest (Firm)
author2_role TeilnehmendeR
author_corporate ProQuest (Firm)
author_sort Moreno, Jairo, 1963-
title Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
title_sub the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
title_full Musical representations, subjects, and objects [electronic resource] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / Jairo Moreno.
title_fullStr Musical representations, subjects, and objects [electronic resource] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / Jairo Moreno.
title_full_unstemmed Musical representations, subjects, and objects [electronic resource] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / Jairo Moreno.
title_auth Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
title_new Musical representations, subjects, and objects
title_sort musical representations, subjects, and objects the construction of musical thought in zarlino, descartes, rameau, and weber /
series Musical meaning and interpretation
series2 Musical meaning and interpretation
publisher Indiana University Press,
publishDate 2004
physical viii, 236 p. : ill.
contents Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML3845
callnumber-sort ML 43845 M86 42004
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=255648
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 781 - General principles & musical forms
dewey-full 781/.1
dewey-sort 3781 11
dewey-raw 781/.1
dewey-search 781/.1
oclc_num 475970625
work_keys_str_mv AT morenojairo musicalrepresentationssubjectsandobjectstheconstructionofmusicalthoughtinzarlinodescartesrameauandweber
AT proquestfirm musicalrepresentationssubjectsandobjectstheconstructionofmusicalthoughtinzarlinodescartesrameauandweber
status_str n
ids_txt_mv (MiAaPQ)500255648
(Au-PeEL)EBL255648
(CaPaEBR)ebr10118512
(CaONFJC)MIL207160
(OCoLC)475970625
hierarchy_parent_title Musical meaning and interpretation
is_hierarchy_title Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
container_title Musical meaning and interpretation
author2_original_writing_str_mv noLinkedField
_version_ 1792330672435625984
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01967nam a2200433Ia 4500</leader><controlfield tag="001">500255648</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">040331s2004 inua sb s001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2004007629</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBA471591</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="z">013006940</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253344571</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0253344573 (cloth : alk. paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)500255648</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL255648</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10118512</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL207160</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)475970625</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3845</subfield><subfield code="b">.M86 2004</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">781/.1</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moreno, Jairo,</subfield><subfield code="d">1963-</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Musical representations, subjects, and objects</subfield><subfield code="h">[electronic resource] :</subfield><subfield code="b">the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /</subfield><subfield code="c">Jairo Moreno.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Bloomington :</subfield><subfield code="b">Indiana University Press,</subfield><subfield code="c">c2004.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 236 p. :</subfield><subfield code="b">ill.</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Musical meaning and interpretation</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. [221]-231) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Semiotics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music theory</subfield><subfield code="x">History.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Musical meaning and interpretation.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=255648</subfield><subfield code="z">Click to View</subfield></datafield></record></collection>

Similar Items