Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno.

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Superior document:Musical meaning and interpretation
:
TeilnehmendeR:
Year of Publication:2004
Language:English
Series:Musical meaning and interpretation.
Online Access:
Physical Description:viii, 236 p. :; ill.
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100 1 |a Moreno, Jairo,  |d 1963- 
245 1 0 |a Musical representations, subjects, and objects  |h [electronic resource] :  |b the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /  |c Jairo Moreno. 
260 |a Bloomington :  |b Indiana University Press,  |c c2004. 
300 |a viii, 236 p. :  |b ill. 
490 1 |a Musical meaning and interpretation 
504 |a Includes bibliographical references (p. [221]-231) and index. 
505 0 |a Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject. 
533 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
650 0 |a Music  |x Philosophy and aesthetics. 
650 0 |a Music  |x Semiotics. 
650 0 |a Music theory  |x History. 
655 4 |a Electronic books. 
710 2 |a ProQuest (Firm) 
830 0 |a Musical meaning and interpretation. 
856 4 0 |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=255648  |z Click to View