Big ears : listening for gender in jazz studies /

Big ears : listening for gender in jazz studies / / edited by Nichole Rustin and Sherrie Tucker.

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Superior document:Refiguring American music
:
ProQuest (Firm)
TeilnehmendeR:
Rustin, Nichole T.
Tucker, Sherrie, 1957-
ProQuest (Firm)
Year of Publication:2008
Language:English
Series:Refiguring American music.
e-Duke books scholarly collection.
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Physical Description:x, 460 p. :; ill.
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id 5001169853
ctrlnum (MiAaPQ)5001169853
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(OCoLC)320536070
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spelling Big ears [electronic resource] : listening for gender in jazz studies / edited by Nichole Rustin and Sherrie Tucker.
Durham : Duke University Press, 2008.
x, 460 p. : ill.
Refiguring American music
Includes bibliographical references and index.
PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Jazz History and criticism.
Jazz Social aspects.
Electronic books.
Rustin, Nichole T.
Tucker, Sherrie, 1957-
ProQuest (Firm)
Refiguring American music.
e-Duke books scholarly collection.
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1169853 Click to View
language English
format Electronic
eBook
author2 Rustin, Nichole T.
Tucker, Sherrie, 1957-
ProQuest (Firm)
author_facet Rustin, Nichole T.
Tucker, Sherrie, 1957-
ProQuest (Firm)
ProQuest (Firm)
author2_variant n t r nt ntr
s t st
author2_role TeilnehmendeR
TeilnehmendeR
TeilnehmendeR
author_corporate ProQuest (Firm)
author_sort Rustin, Nichole T.
title Big ears listening for gender in jazz studies /
spellingShingle Big ears listening for gender in jazz studies /
Refiguring American music
PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee
title_sub listening for gender in jazz studies /
title_full Big ears [electronic resource] : listening for gender in jazz studies / edited by Nichole Rustin and Sherrie Tucker.
title_fullStr Big ears [electronic resource] : listening for gender in jazz studies / edited by Nichole Rustin and Sherrie Tucker.
title_full_unstemmed Big ears [electronic resource] : listening for gender in jazz studies / edited by Nichole Rustin and Sherrie Tucker.
title_auth Big ears listening for gender in jazz studies /
title_new Big ears
title_sort big ears listening for gender in jazz studies /
series Refiguring American music
series2 Refiguring American music
publisher Duke University Press,
publishDate 2008
physical x, 460 p. : ill.
contents PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML3506
callnumber-sort ML 43506 B53 42008
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1169853
illustrated Illustrated
oclc_num 320536070
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is_hierarchy_title Big ears listening for gender in jazz studies /
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