Big ears : listening for gender in jazz studies / / edited by Nichole Rustin and Sherrie Tucker.
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| Superior document: | Refiguring American music |
|---|---|
| : | |
| TeilnehmendeR: | |
| Year of Publication: | 2008 |
| Language: | English |
| Series: | Refiguring American music.
e-Duke books scholarly collection. |
| Online Access: | |
| Physical Description: | x, 460 p. :; ill. |
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| 008 | 090508s2008 ncua sb 000 0 eng d | ||
| 020 | |z 9780822389224 | ||
| 020 | |z 0822389223 | ||
| 020 | |z 9780822343363 (cloth : alk. paper) | ||
| 020 | |z 0822343363 (cloth : alk. paper) | ||
| 020 | |z 9780822343202 (pbk. : alk. paper) | ||
| 020 | |z 0822343207 (pbk. : alk. paper) | ||
| 035 | |a (MiAaPQ)5001169853 | ||
| 035 | |a (Au-PeEL)EBL1169853 | ||
| 035 | |a (CaPaEBR)ebr10289822 | ||
| 035 | |a (OCoLC)320536070 | ||
| 040 | |a MiAaPQ |c MiAaPQ |d MiAaPQ | ||
| 049 | |a NDDP | ||
| 050 | 4 | |a ML3506 |b .B53 2008 | |
| 245 | 0 | 0 | |a Big ears |h [electronic resource] : |b listening for gender in jazz studies / |c edited by Nichole Rustin and Sherrie Tucker. |
| 260 | |a Durham : |b Duke University Press, |c 2008. | ||
| 300 | |a x, 460 p. : |b ill. | ||
| 490 | 1 | |a Refiguring American music | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee | |
| 533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a Jazz |x Social aspects. | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Rustin, Nichole T. | |
| 700 | 1 | |a Tucker, Sherrie, |d 1957- | |
| 710 | 2 | |a ProQuest (Firm) | |
| 830 | 0 | |a Refiguring American music. | |
| 830 | 0 | |a e-Duke books scholarly collection. | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1169853 |z Click to View |