A philosophy of the screenplay / Ted Nannicelli.
Saved in:
: | |
---|---|
TeilnehmendeR: | |
Year of Publication: | 2013 |
Language: | English |
Series: | Routledge studies in contemporary philosophy ;
49 |
Online Access: | |
Physical Description: | xiii, 270 p. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
5001114672 |
---|---|
ctrlnum |
(MiAaPQ)5001114672 (Au-PeEL)EBL1114672 (CaPaEBR)ebr10650289 (CaONFJC)MIL428529 (OCoLC)826807331 |
collection |
bib_alma |
record_format |
marc |
spelling |
Nannicelli, Ted. A philosophy of the screenplay [electronic resource] / Ted Nannicelli. New York : Routledge, 2013. xiii, 270 p. Routledge studies in contemporary philosophy ; 49 Includes bibliographical references and index. Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Motion picture authorship. Motion picture plays History and criticism. Electronic books. ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1114672 Click to View |
language |
English |
format |
Electronic eBook |
author |
Nannicelli, Ted. |
spellingShingle |
Nannicelli, Ted. A philosophy of the screenplay Routledge studies in contemporary philosophy ; Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. |
author_facet |
Nannicelli, Ted. ProQuest (Firm) ProQuest (Firm) |
author_variant |
t n tn |
author2 |
ProQuest (Firm) |
author2_role |
TeilnehmendeR |
author_corporate |
ProQuest (Firm) |
author_sort |
Nannicelli, Ted. |
title |
A philosophy of the screenplay |
title_full |
A philosophy of the screenplay [electronic resource] / Ted Nannicelli. |
title_fullStr |
A philosophy of the screenplay [electronic resource] / Ted Nannicelli. |
title_full_unstemmed |
A philosophy of the screenplay [electronic resource] / Ted Nannicelli. |
title_auth |
A philosophy of the screenplay |
title_new |
A philosophy of the screenplay |
title_sort |
a philosophy of the screenplay |
series |
Routledge studies in contemporary philosophy ; |
series2 |
Routledge studies in contemporary philosophy ; |
publisher |
Routledge, |
publishDate |
2013 |
physical |
xiii, 270 p. |
contents |
Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. |
isbn |
9780203069103 (electronic bk.) |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1996 |
callnumber-sort |
PN 41996 N25 42013 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1114672 |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
808 - Rhetoric & collections of literature |
dewey-full |
808.2/3 |
dewey-sort |
3808.2 13 |
dewey-raw |
808.2/3 |
dewey-search |
808.2/3 |
oclc_num |
826807331 |
work_keys_str_mv |
AT nannicellited aphilosophyofthescreenplay AT proquestfirm aphilosophyofthescreenplay AT nannicellited philosophyofthescreenplay AT proquestfirm philosophyofthescreenplay |
status_str |
n |
ids_txt_mv |
(MiAaPQ)5001114672 (Au-PeEL)EBL1114672 (CaPaEBR)ebr10650289 (CaONFJC)MIL428529 (OCoLC)826807331 |
is_hierarchy_title |
A philosophy of the screenplay |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1792330744165564417 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02079nam a2200385 a 4500</leader><controlfield tag="001">5001114672</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">120802s2013 nyu sb 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2012030879</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780415521444 (hardcover alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780203069103 (electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)5001114672</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL1114672</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10650289</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL428529</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)826807331</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1996</subfield><subfield code="b">.N25 2013</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">808.2/3</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nannicelli, Ted.</subfield></datafield><datafield tag="245" ind1="1" ind2="2"><subfield code="a">A philosophy of the screenplay</subfield><subfield code="h">[electronic resource] /</subfield><subfield code="c">Ted Nannicelli.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York :</subfield><subfield code="b">Routledge,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 270 p.</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge studies in contemporary philosophy ;</subfield><subfield code="v">49</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture authorship.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture plays</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1114672</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |